With two instrument/microphone combo inputs on the front panel, you can quickly plug in mics, guitars, basses, and more. Six balanced mic/line inputs grace the rear. Every microphone input has individually switchable +48V phantom power, allowing you to operate condenser mics and ribbon mics safely at the same time. Thus, the unit gives you a multipurpose front end for recording and live sound.
Dual S/MUX optical outputs on the rear of the unit enable you to use it as a front end expander for S/MUX-equipped audio interfaces such as TASCAM SERIES 102i and SERIES 208i and Celesonic US-20x20. ADAT compatibility is also available. With two S/MUX outputs, you can send all eight SERIES 8p Dyna channels at up to 96 kHz (four channels at 176.4 or 192 kHz), expanding your existing system's capabilities in the process.
The SERIES 8p Dyna's eight line-level analog channel outputs are provided on both 1/4-inch balanced TRS connectors and as a balanced 25-pin D-sub connector. Route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else. Connect its D-sub outputs to a Tascam ML-16D or ML-32D Analog Dante converter, and the SERIES 8p Dyna becomes a pristine front end for an audio-over-IP network.
You'll note the rugged metal 1 RU rackmount enclosure, perfectly suited to live use. Wordclock I/O on BNC connectors with an In/Out/Thru switch enable proper synchronization of digital signals. Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars let you monitor the unit's performance. Still, the SERIES 8p Dyna is simple to operate, so you can stay focused on the task at hand.
