Description

A Great Sound for Any Purpose

Onboard Headphone Monitoring & Controls

Broadcast-Quality Audio Capture

Handy Hardware Included

Industry-Standard Software Included

Description

Description

The Neumann TLM 103 Studio Set Large-Diaphragm Condenser Microphone is a cardioid microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.

The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

The TLM 103 is addressed from the side. The mic's large-diaphragm capsule is based on the K 87 and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large, wire mesh head-grille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. The microphone maintains a great impulse response and reproduces details of music and speech without coloration.

With just 7 dB-A and 17.5 dB CCIR, the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced almost noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

With TLM technology, the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

The entire internal construction is elastically mounted to attenuate any structure-born noise that could interfere with the TLM 103's operation. The capsule is set on an elastic mount and the frequency range reaches below 20 Hz, allowing even very low bass signals to be reproduced without coloration. Due to this low-frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise.

Description

The Behringer SL 84C mics provides super-clean sound with minimal distortion, a slight presence lift in the critical mid-range. Few things are more essential to recording or live performance than dynamic microphones. Ask any sound engineer and they will tell you to keep as many as possible on hand.

Behringer brings you great-sounding SL 84C dynamic microphone with impact-resistant case, with stand adapters and mic clips so you’ll be ready to capture your sound in brilliant resolution.

Dynamic mics have several advantages that make them ideal for live applications or recording amplified instruments. They’re robust, resistant to moisture and can achieve high gain before feedback. These microphones’ cardioid pickup pattern is designed to capture the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound. If you take a look at the stage in any club, you’ll probably see many dynamic mics for the vocalists, with even more for the drums and amplifiers. This convenient great-sounding mic is at your immediate disposal. 

Description

The Behringer B 906 is a super cardioid dynamic mic that's custom designed for great instrument reproduction! The B 906 instrument microphone is especially tailored for guitar amps, and is also excellent for percussion, horns and vocals.

The B 906 features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence for aggressive metal rhythm guitars or for classic rock and smooth jazz and blues sounds.

You can hang the B 906 on a guitar amp for stand-free performance. Its laterally mounted capsule has been specially developed for miking guitar amps face on and extremely close to the signal source. Due to its flat design, the B 906 is also very suitable for use with drums, since it can easily be positioned in cramped space conditions. The super cardioid pattern is great for reducing bleed in tight situations onstage, and the B 906's hum compensating coil rejects interference. Stick the B 906 in front of your amp or drum kit and you're ready to go.

Description

Connects to Computers, Android, and iOS Devices

Cardioid Polar Pattern for the Untreated Room

Headphone Monitoring & Easy-to-Use Controls

Broadcast-Quality Audio Capture

Handy Hardware Included

Description

Description

The Sennheiser  XSW 2-835-B Wireless Handheld Microphone System with e835 Capsule (A: 548 to 572 MHz) features a true diversity receiver, and a handheld transmitter with an intuitive LCD display. It has 12 compatible channels and is offered as an easy to use, all-in-one wireless system for singers and presenters.

The unit has automatic frequency management and synchronization so you don't have to scramble to find an available channel. The transmitter's e835 capsule uses a cardioid polar pattern, which is part of the evolution series and designed for withstanding tougher, live-stage conditions.

Description

The Sennheiser e835 is a vocal stage mic designed to perform under pressure. Uniform frequency pickup pattern maintains signal quality when moving on and off axis during performance. A gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule.

Description

The Neumann U 87 Ai Studio Set Condenser Microphone is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot microphone for single instruments, and extensively as a vocal microphone for all types of music and speech.

The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.

The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

Description

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