Description

The Rode NT2-A Studio Solution Package carries on the tradition forged by the now legendary Rode NT2-A professional large 1" capsule studio microphone incorporating three-position pick-up patterns, pad and high pass filter switches conveniently located on the mic body.

The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50s and 60s. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

Supplied with the SM6 shock mount, dust cover, microphone cable and downloadable instructional video hosted by Grammy-nominated engineer and producer John Merchant showing a range of recording techniques specific to the NT2-A.

The Rode NT2-A microphone is designed and made in Australia, and covered by Rode's industry leading 10 year warranty.

Description

The Shure BLX1288/CVLX-K14 Dual Channel Combo Wireless System is part of the BLX wireless systems family. Dual Channel Combo Wireless System features BLX2 with PG58 and CVL Lavalier Microphone. Shure BLX Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, it's the most accessible way to own the stage.

This BLX1288/CVL combo offers a flexible solution by including a bodypack transmitter, a CVL cardioid lavalier mic, and a handheld transmitter equipped with an integrated PG58 dynamic cardioid microphone capsule. The lav provides a discreet hands-free mic option, while the handheld mic is ideal in situations where you don't have time to position a lavalier mic or you need to quickly pass the mic between several people.

The receiver features one-touch QuickScan frequency selection to quickly search 123 available frequencies and locate a clean RF channel in case of interference. The system provides up to 14 hours of continuous use with four AA batteries at a range up to 300'. Up to 12 mic channels can operate simultaneously in each frequency band.

This streamlined wireless system is well suited for presentations and events in small venues, wedding halls, and houses of worship, as well as conference, educational, and corporate facilities.

Description

The Neumann KM 184 MT is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Description

Description

Description

The Behringer Ultralink ULM302MIC Wireless Microphone System, includes with 2 of Behringer's high-quality ULM300M handheld microphones and the equally impressive ULM300RD dual-channel receiver. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the ULM300MIC’s custom designed microphone capsule that is optimized for vocal performance, and the built-in transmitter that operates in the license-free 2.4 GHz range.

The state-of-the-art transmitter operates in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers. And since it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems. The ULM300RD dual-channel receiver tracks your every move, with a range of up to 200 feet (60 m).

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper. That's why Behringer devoted extra time in developing the ULM300M to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

Setup couldn’t be easier, because the ULM300M mics automatically pair with the ULM300RD dual-channel receiver without you having to lift a finger. Convenient front-panel LEDs on the receiver show your signal presence and strength, while indicators on the transmitter let you know at a glance when it's time to change batteries. Audio outputs are balanced XLR and unbalanced 1/4" TS, allowing you to connect to PA and conference room systems or high-quality instrument amplifiers.

Description

The Neumann U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns. The U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.

The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with the Neumann sound and continues to be used in its successor, the U 87 A. No less important is the U 67's masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don't mind a bit of tube grit).

As timeless as its sound and technical design is its outer appearance. The U 67's cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.

Description

The Shure PGA98H-TQG is a professional quality wind instrument microphone with an updated design that features a black metallic finish and grille offering an unobtrusive visual presence. 

The PGA98H-TQG's updated industrial design features a black metallic finish and grill; also, its flexible gooseneck design is featured with an integrated horn clamp and a TA4F connector, which is compatible with Shure wireless microphone systems (sold separately). The PGA98H-TQG includes a windscreen and a zippered pouch for protection during storage or transport.

Description

The Behringer B 906 is a super cardioid dynamic mic that's custom designed for great instrument reproduction! The B 906 instrument microphone is especially tailored for guitar amps, and is also excellent for percussion, horns and vocals.

The B 906 features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence for aggressive metal rhythm guitars or for classic rock and smooth jazz and blues sounds.

You can hang the B 906 on a guitar amp for stand-free performance. Its laterally mounted capsule has been specially developed for miking guitar amps face on and extremely close to the signal source. Due to its flat design, the B 906 is also very suitable for use with drums, since it can easily be positioned in cramped space conditions. The super cardioid pattern is great for reducing bleed in tight situations onstage, and the B 906's hum compensating coil rejects interference. Stick the B 906 in front of your amp or drum kit and you're ready to go.

Description

Description

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