Description

Description

The Sennheiser e825S is a handheld cardioid dynamic microphone offering a warm, natural tone for reproduction of vocals, speech, and instruments in public address, houses of worship, and live stage applications. Its dynamic element requires no power source and delivers a frequency response of 80 Hz to 15 kHz with a gentle boost centered at 5 kHz. The cardioid polar pattern excels at rejecting sound at its off-axis points, yielding enhanced immunity to feedback.

The internal damping yields low handling noise, while the durable, metal construction delivers tour-worthy toughness. A silent on/off switch is provided for convenient muting of the mic between speeches or performances. The XLR 3-pin output ensures compatibility with most microphone preamps and mixer inputs. The e825S ships with a mic clip and a protective pouch.

Description

The Rode NT1-A Cardioid Condenser Microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world's most expensive microphones.

With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world's quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.

Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20' microphone cable, dust cover, and an downloadable instructional video packed with recording tips.

The Rode NT1-A large diaphragm 1" cardioid condenser microphone is designed and made in Australia, and covered by Rode Microphones' industry leading 10 year warranty.

Description

Description

Description

Description

The Sennheiser EW 100 G4-935-S is an easy-to-set-up rackmount wireless handheld microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses-of-worship, theaters, or on musical stages.

The EW 100 G4-935-S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 42 MHz UHF tuning range with 1680 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.

This system includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 935 dynamic cardioid microphone capsule optimized for speech intelligibility and vocal clarity. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

The EW 100 G4-935-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

Description

Description

The Neumann KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

Despite its attractive pricing, the KM 185 offers state-of-the-art Neumann engineering. Its hypercardioid pattern is frequency-independent; rejection of rearward sound (120 degree) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 185's frequency response is very smooth and linear with a slight treble lift around 10 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule's sonic integrity. The KM 185 has a very low self-noise of only 15 dB-A and can handle high sound pressure levels of up to 142 dB free from distortion. Due to its low impedance output stage, the KM 185 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

The KM 185 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 185 a superb microphone for acoustic instruments, such as piano, acoustic guitar, upright bass, violin, cello, wind instruments, drums and percussion. Its high rejection at 120 degree without off-axis coloration makes the KM 185 a perfect problem solver in demanding applications, such as recording the snare drum while suppressing spill from the hi-hat. Although the KM 185 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 185 is visually unobtrusive and well suited to TV and radio applications.

Description

Description

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