Description

The Behringer B-2 PRO microphone is a home recording enthusiast’s dream come true! These professional-quality condenser microphones are designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable pickup patterns (cardioid, omni and figure eight), frequency filters and input pads, B-2 PRO ultra-low noise mics are an excellent choice for any recording scenario, and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the B-2 PRO just may be the only microphone your studio will need.

The B-2 PRO mics are capable of capturing much more detail than most dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power your B-2 PRO using any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 PRO condenser microphone is an affordable, high-quality way to get what you really hear down on tape (or in bits). Thanks to the pressure gradient transducers and shock-mounted 1.0" gold-sputtered dual-diaphragm capsules, the B-2 PRO mic deliver an open, transparent sound with excellent transient response, with ruler-flat frequency response from 20 Hz to 20 kHz, and a slight boost in the presence range. The B-2 PRO has three selectable pickup patterns: omni for capturing sound in all directions, cardioid for picking up your source signal while rejecting off -axis sound, and figure eight for picking up only what is directly in front of and behind the microphone’s diaphragm – without any bleed from the sides.

Thanks to its exceptional transducers and gold-plated XLR outputs, the B-2 PRO truly delivers on the promise of noise-free transmission, with the utmost transparency. The B-2 PRO also has a switchable -10 dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to tame ultra-low frequencies.

The B-2 PRO microphone is designed to be your go-to condenser mics for many years to come. The tough, die-cast metal body can withstand all the rigors of those late-night recording marathons – and the included carrying case ensures they always travel in safety and style.

The studio-grade B-2 PRO condenser microphone is an excellent choice for both live and studio applications, and available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible B-2 PRO at a dealer near you.

Description

The Red Sontronics Podcast Pro is a dynamic broadcast microphone designed to deliver a clean and clear vocal sound out of the box for a range of applications including podcasting, broadcasting, voice-over work, gaming, and more. The supercardioid polar pattern yields tight frontal pickup with enhanced side rejection while the integral 3-layer pop screen impedes problematic vocal plosives and sibilance.

The dynamic capsule produces a frequency response of 50 Hz to 15 kHz, ideal for detailed speech and vocals without EQ. The Podcast Pro features an integrated stand mount for easy placement on any mic stand or boom arm. Its balanced 3-pin XLR output allows standardized connectivity with a variety of mic preamps, audio interfaces, and mixers.

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Description

The Audio-Technica AT2020 Cardioid Condenser Microphone is designed for vocal and general instrument capturing in project and professional studio environments. The capsule features a low-mass, side-address diaphragm with a cardioid polar pattern for rejecting ambiance and noise at the off-axis sections of the microphone capsule.

With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.

A linear frequency response of 20 Hz to 20 kHz enables the flexibility to accurately reproduce signals from a wide variety of sources. High SPL handling and wide dynamic range allow the AT2020 to capture loud signals with minimal noise and distortion. The microphone includes a pivoting, threaded stand mount for accurate positioning.

Description

The Sennheiser XSW 1-825-B UHF Vocal Set with e825 Dynamic Microphone is an easy to use all-in-one wireless system for singers and presenters. It can be used to capture audio for live sound, stage, and theater applications.

The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a vocal microphone and microphone clamp. It is built with antenna-switching diversity reception and features automatic frequency management and synchronization via remote channel. Up to 10 compatible channels are available. Additionally, an AC power adapter and two AA batteries are also included.

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Description

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Description

The Presonus PD-70 is a dynamic microphone purpose-built for voice-over in the arenas of podcasting, broadcasting, and live-streaming. With its end-address design and clear and focused audio capture, the mic not only sounds the part, it looks the part, too.

The microphone offers a cardioid polar pattern, which is the best natural defense against unwanted room reflections: this polar pattern focuses audio capture on what ever is in front of the capsule and minimizes sound coming from the rear of the mic. The mic offers a integrated hardmount for setting it up right out of the box with any boom arm or mic stand. It also provides a built-in windscreen. Use it with any audio interface.

Description

The Neumann U 87 Ai Studio Set Condenser Microphone is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot microphone for single instruments, and extensively as a vocal microphone for all types of music and speech.

The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.

The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

Description

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