Description

The Shure VP83 LensHopper is an ultra-compact all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environment.

Featuring rugged metal construction while remaining compact and lightweight, the VP83 is designed to be a reliable partner for your portable video rig. Its integrated shockmount attaches directly to your camera or tripod and impedes camera handling noise and vibrations transferred through a tripod. To reduce noise from light winds, the VP83 is equipped with a foam windscreen. Attached to the VP83 is a coiled 3.5mm TRS cable, so you'll never be missing the cable you need when hurriedly hooking up the mic to your camera.

Description

The Rode NT1000 1" Studio Condenser Microphone features transformerless circuitry, giving the mic an ultra-low self-noise level of 6 dBA. It can be used to capture audio for both vocal and instrument applications and is well-suited for grand piano and drum overheads. It is built with a 3-pin XLR connector and requires 24 or 48V phantom power to operate. Also included is a RM2 ring-mount microphone stand and a ZP1 padded zip pouch.

The NT1000 has also found many users who call it the ultimate microphone for overheads as well as for miking concert grand pianos. The 1" HF2 capsule, developed by R?DE and manufactured in Australia, is elastically mounted and with a dynamic range of 134 dB, a maximum sound pressure level of 140 dBA, and a frequency range of 20 Hz - 20 kHz.

Description

Description

The Neumann TLM 49 brings back the vintage tone of Neumann's post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann's legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.

As the model number implies, the TLM 49 is inspired by its famous precursor, the legendary Neumann M 49, a microphone associated with countless jazz and pop recordings of the 1950s and 60s. The TLM 49 shares the same large, acoustically open headgrille and the same large diaphragm condenser capsule design. This classic K 47 capsule, renowned for its unsurpassed sonic elegance, was also used in the Neumann U 47, the vocal mic of choice for Frank Sinatra, the Beatles, and scores of famous artists up to the present day.

The TLM 49 has a fixed cardioid pattern and is designed mainly as a microphone for vocalists, but its clear bass and superb midrange with a gentle presence boost above 2 kHz will produce excellent results with various instruments, too, such as acoustic guitar and upright bass.

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Description

Description

Description

Description

The Neumann KMS 104 Cardioid Condenser Vocalist Microphone has been designed for close range use by instrumental and vocal soloists, and can also be handheld by singers. It offers high acoustic resolution and smooth frequency response (20 Hz to 20 kHz). This mic is also suitable for use with in-ear monitoring systems thanks to the low self-noise and crosstalk behavior.

It has a condenser microphone capsule with a cardioid directional characteristic, which suppresses sound originating from behind the microphone. It has a balanced, transformerless output and offers effective protection against pop-sounds. This cardioid microphone offers true sound transduction that is free of coloration.

The mic comes with the SG105 Stand Clamp that is designed for vocal microphones. It can be swiveled and has a 5/8"-27 threads in addition to a thread adapter to connect to 1/2" and 3/8" stands (sold separately). A padded nylon bag is also included.

Description

The Sennheiser EW 100 G4-865-S is an easy-to-set-up rackmount wireless handheld microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses-of-worship, theaters, or on musical stages.

The EW 100 G4-865-S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 46 MHz UHF tuning range with 1840 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.

This system includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MME 865 condenser supercardioid microphone capsule optimized for speech and crisp, present vocals. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

The EW 100 G4-865-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

Description

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