Description

The Neumann TLM-102 Studio Set Large-Diaphragm Cardioid Studio Condenser Microphone has the ability to withstand very high sound pressure levels.

The capsule, with its high SPL rating, permits the recording of percussion, drums, amplifiers, and other loud sound sources. The microphone is equally capable when recording lower volume sounds due to its fast transient response. However, its most important applications are in the realm of vocals and speech.

A slight boost above 6 kHz provides greater vocal presence, while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording.

Description

Description

Description

The Neumann U 47 FET uses the same K 47 large diaphragm condenser capsule and the same headgrille design as its tube operated predecessor, the legendary U 47, which revolutionized the recording and broadcast industries from 1949 to1960. For sonic continuity, the U 47 fet also uses a similarly oversized output transformer. Otherwise, its transistorized head amplifier is an amazingly advanced design and a testament to Neumann?s state of the art engineering. This ?vintage? microphone has a dynamic range of 119 dB.

The U 47 fet can handle extreme SPLs of up to 137 dB, and even 147 dB with the ?10 dB pad switch engaged. This, along with its smooth top end and lush midrange, makes the U 47 fet an excellent microphone for bright and loud instruments such as brass and electric guitar. Due to its exceptionally clear and uncluttered low end, it is a great choice for upright bass and bass cabinets. Numerous top engineers consider U 47 fet the ultimate microphone to place in front of the kick drum. At the same time it is an excellent vocal mic for crooners and screamers alike, due to its beautifully balanced response with just a slight, unobtrusive boost in the upper mids for added presence in the mix.

The U 47 fet comes with a unique one-sided swivel mount, which makes it easy to position. Pad and low cut switches are accessible on the rear of the microphone. An additional switch next to the XLR socket allows for attenuating the output signal by 6 dB, which is a handy feature in conjunction with low-headroom vintage preamplifiers.

Description

Description

The Behringer B-1 is a single-diaphragm microphone, which is ideal for home recording. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. With its cardioid pickup pattern, frequency filters and input pads, the B-1 mic is an excellent choice for any recording scenario and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the B-1 just may be the only microphone your studio will need.

The B-1 condenser microphone is an affordable, high-quality way to get what you really hear down on tape (or in bits). Thanks to the pressure gradient transducers and shock-mounted 1.0" gold-sputtered dual-diaphragm capsules, the B-1 mic delivers an open, transparent sound with excellent transient response, and ruler-flat frequency response from 20 Hz - 20 kHz with a slight boost in the presence range. The B-1's cardioid pattern is ideally-suited for picking up your source signal while rejecting off-axis sound – eliminating any bleed from the sides.

Thanks to its exceptional transducers and gold-plated XLR outputs, the B-1 truly delivers on the promise of noise-free transmission, with the utmost transparency. The B-1 also has a switchable -10 dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to tame ultra-low frequencies.

Description

Description

The Neumann M 150 Tube is a unique small diaphragm condenser microphone for orchestral recordings, based on the legendary Neumann M 50. The M 150 uses a titanium capsule flush mounted in a small sphere to create an omni pattern which becomes directional at higher frequencies. An innovative transformerless tube circuit ensures a vivid sound with low noise.

Like its predecessor, the M 150 uses a 12 mm small diaphragm capsule, flush mounted in a 40 mm sphere. The capsule itself is a pressure transducer, but the sphere modifies its omnidirectional pattern to become gradually more directional at higher frequencies. The M 150?s condenser transducer is extraordinary in other respects, too: Its ultra-thin diaphragm is made of titanium, a light yet rigid metal, and spaced only 10 microns from the backplate, also made of titanium. The result is a sound transducer with unparalleled transient response. This delicate capsule is protected by an acoustically open headgrille shaped just like that of the venerable M 50.

The capsule signal is amplified by a tube circuit using a subminiature triode, specially selected for optimal transmission characteristics and lowest self-noise of only 15 dB-A. Unlike its ancestor developed in the 1950s, however, the M 150 does not use an output transformer which might color the sound. Instead, the M 150 relies on an ultra-transparent transformerless output stage ensuring a clear low end, even at highest levels, and a wide dynamic range of 119 dB. Moreover, this state of the art output stage allows for long cable runs of up to 300 m without transmission losses.

The M 150 is primarily designed to bring unprecedented detail and realism to orchestral recordings, e.g. of classical pieces and film scores. Due to its unique ?directional omni? characteristic, its outstanding transient response, and a gradually rising sensitivity above 1 kHz, the Neumann M 150 is the perfect microphone for DECCA Tree techniques, including extended surround setups.

Description

Once again Behringer breaks the affordability barrier with the new Ultralink ULM Series USB Wireless Microphone Systems. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the dynamic hand-held mic thanks to its built-in transmitter, which operates in the license-free 2.4 GHz range. And because the receiver can be connected directly to your PC/Mac computer's USB port, you can record directly into your favorite DAW application.

Our state-of-the-art transmitters and receivers operate in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers, two of the main culprits that wreak havoc in the wireless zone. And because it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems.

Replacing batteries in wireless mics can get expensive really fast—and having them die in the middle of your set can be a showstopper! That's why we devoted extra time in developing ULM USB Series, ensuring that battery life is extended as long as possible. You get an honest 8 hours performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

It can be a real hassle running back and forth to get your volume set just right, so we put easy-to-operate Volume Up and Down buttons right on the microphone body. And should you accidentally wander into the “Feedback Zone”, we've included a handy Panic Mute function that engages when you press and hold the Volume Down button.

Operating in the 2.4 GHz band allows Behringer ULM Series USB Wireless Microphone Systems to be used across the globe without any special licensing requirements. ULM Series USB Wireless Microphone Systems are only available from Behringer, the premier audio manufacturer recognized worldwide for outstanding build quality and exceptional value.

Description

The Sennheiser MKE 2 digital is a professional solution for mobile recording that can be utilized to capture audio for several applications using iOS devices such as iPhone 6, iPhone 6 Plus, iPad Air 2, iPad Air, iPad mini, and much more. With its wide range of applications, whether for videos, recordings or interviews, the MKE 2 digital membrane is robust against all environmental influences.

The MKE 2 digital omnidirectional condenser microphone is connected via Lightning connector to modern iOS devices - allowing the jack socket to remain free for monitoring headphones as needed. An Apogee external converter does the analog-to-digital signal conversion using 24-bit/96 kHz sampling rate when connected to a iPhone, iPad or iPod touch. This allows for a signal that surpasses CD quality.

The corresponding apps (MetaRecorder and Maestro) for recording and control are included in the package. In addition, the apps deliver metadata for further processing, thus making recording a simple matter. Essential features of MetaRecorder can also be controlled from the Apple Watch - start and stop recording, add a take to favorites, add markers or set your microphone input level. There are, of course, several other apps that can also directly access the microphone.

Description

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