Description

The Sennheiser HANDMIC DIGITAL is a dynamic, handheld microphone which sports analog/digital conversion from Apogee, a company well-regarded for its AD/DA conversion. Sporting a dynamic capsule and operating in a cardioid polar pattern, the microphone is suitable for speech and instrumental recording, while its mobile features (it's compatible with your iOS devices, after all), render it useful for recording interviews on location, whether indoors or outdoors.

Concrete design attributes render this task achievable, such as an internal shockmount that reduces handling noise, making the mic suitable for handheld interviews, as well as a polar pattern that ensures off-axis rejection; in other words, the capsule will prominently record audio fed directly into it, and little from the sides. The microphone is also immune against cellphone radiation, which can often introduce unpleasant sonic artifacts into the recording. With a frequency response of 40 Hz to 16 kHz, you'll be sure to pick up the nuances of the human voice and various instrumental sound sources.

With onboard digital conversion, you'll obviate the need for a preamplifier, recorder, or interface, and will be free to record straight to your iOS device or computer. Apogee PureDigital A/D conversion is provided for this task, operating at 16-/24-bit resolutions and sample rates of 44.1 to 96 kHz to ensure quality recordings. The microphone draws power straight from your computer or iOS device, so batteries or phantom power aren't required. With your purchase of the HANDMIC DIGITAL, you'll get two different cables (one micro-USB to USB, one micro-USB to lightning), a microphone clamp, a table stand, and a convenient carry pouch.

Description

The Presonus PD-70 is a dynamic microphone purpose-built for voice-over in the arenas of podcasting, broadcasting, and live-streaming. With its end-address design and clear and focused audio capture, the mic not only sounds the part, it looks the part, too.

The microphone offers a cardioid polar pattern, which is the best natural defense against unwanted room reflections: this polar pattern focuses audio capture on what ever is in front of the capsule and minimizes sound coming from the rear of the mic. The mic offers a integrated hardmount for setting it up right out of the box with any boom arm or mic stand. It also provides a built-in windscreen. Use it with any audio interface.

Description

Description

Once again Behringer broke the affordability barrier with their new Ultralink ULM202USB Wireless Microphone System. Now you are free to work the room to your heart’s content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the 2 dynamic hand-held mics thanks to their built-in transmitter, which operates in the license-free 2.4 GHz range. The dedicated ULM receiver not only connects to your PC/Mac computer’s USB port for recording directly into your favorite DAW application, but also works with a wide range of Behringer “Wireless-Ready” mixers and powered speakers for the ultimate in versatility.

The state-of-the-art transmitters and receivers operate in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers, two of the main culprits that wreak havoc in the wireless zone. Because it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems.

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper. That’s why Behringer devoted extra time in developing the ULM202USB to ensure that battery life was extended as much as possible. You get an honest 30 hours performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet. 

Behringer wanted the ULM202USB to be ultra-easy to operate, so they gave each mic easy-to-understand and operate volume buttons right on the microphone body. Should you accidentally wander into the “Feedback Zone”, it's included with a handy Panic Mute function that engages when you press and hold the Volume Down button.

Operating in the 2.4 GHz band allows your ULM202USB Wireless Microphone System to be used across the globe without any special licensing requirements.

Description

The Fifine K6 is a Dynamic Handheld Microphone, which features a rugged all-metal slim body with an attractive profile when either mounted or handheld. A sleek finish makes it feel like melting away in your hands. The flat ring on the steel mesh grille protects against rolling when laid down. The on-body switch acts as a convenient quick mute button. 

The cardioid pattern has no problem limiting handling noise and background sound at all. K6 is also a good sensitive dynamic microphone that guarantees crisp clarity from your voice. With a little gain boost, the brightness of the highs will be noticeable. The smooth frequency range is solid at 50 to 18 kHz,suited well for handling high sound pressure levels.It is tailored for spoken word,vocals,various instruments.Having no power requirement makes dynamic microphone the ideal choice for any live applications.

Description

The Neumann M 147 Tube brings back the classic sound of Neumann's famous tube microphones of the 1950s. The M 147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise. Its transformerless output stage ensures superb performance at an attractive price.

With digital recording and ultra-clean processing, many engineers find themselves looking for tube microphones to reinstate a more analogue sound character. The Neumann M 147 is a tube microphone specially designed for 21st century recording chains. Its acoustic design is inspired by the legendary U 47, which revolutionized studio recording in the 1950s with its superior sound quality and is still used daily in top studios around the world. The head amplifier of the M 147 combines classic tube circuitry with an advanced solid state output stage for vintage sound with a modern punch.

The M 147?s unique sound character with unsurpassed presence and a distinctive midrange focus is ideally suited for vocals, both male and female, as well as speech applications such as voice-over and film dubbing. The M 147 is also an excellent spot mic for any solo instruments. Unlike many other tube microphones, the M 147 can be used for quiet sources, due to its exceptionally low self-noise of only 12 dB-A. Although its max SPL figure of 114 dB appears low, the M 147 works well with louder sources, too, as distortion rises very slowly to 5% THD for 134 dB SPL. This behavior is intentional: The M 147 creates a sense of elevated loudness by means soft saturation just like in the days of analog recording.

Description

Description

The Neumann U 87 Ai Condenser Microphone is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot microphone for single instruments, and extensively as a vocal microphone for all types of music and speech.

The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.

The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

Description

The Audio-Technica ATR4750-USB Omnidirectional Condenser Microphone is a flexible gooseneck microphone that features an omnidirectional pickup pattern for a full 360 degree coverage. It can be used to connect to computers, tablets, smartphones, and other devices for podcasting and video conferencing applications.

The microphone features an omnidirectional pickup pattern for full 360 degree coverage, and it comes with a sturdy desk stand for convenient placement. The microphone's 1.8 m (6') cable is terminated with a USB-C connector and includes a USB-C to USB-A adapter, allowing you to connect to the microphone input on computers, tablets, smartphones, and other devices. A monitor mount is also included to give you the option of affixing the mic to your computer monitor.

Description

Description

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