Description

Description

Description

The Neumann KMS 105 microphone has been specifically developed to optimally and clearly transmit the human voice within the demanding conditions present on a live stage. The high acoustic resolution and smooth frequency response of the microphone ensure that the musician has control of their performance at all times.

The microphone is also ideal for use with in-ear monitoring systems due to its low self-noise and coloration-free crosstalk behavior, while the supercardioid characteristic of the capsule is particularly good at suppressing sounds originating from the entire 180? hemisphere behind the microphone.

Description

Description

The Neumann KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

Despite its attractive pricing, the KM 185 offers state-of-the-art Neumann engineering. Its hypercardioid pattern is frequency-independent; rejection of rearward sound (120 degree) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 185's frequency response is very smooth and linear with a slight treble lift around 10 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule's sonic integrity. The KM 185 has a very low self-noise of only 15 dB-A and can handle high sound pressure levels of up to 142 dB free from distortion. Due to its low impedance output stage, the KM 185 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

The KM 185 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 185 a superb microphone for acoustic instruments, such as piano, acoustic guitar, upright bass, violin, cello, wind instruments, drums and percussion. Its high rejection at 120 degree without off-axis coloration makes the KM 185 a perfect problem solver in demanding applications, such as recording the snare drum while suppressing spill from the hi-hat. Although the KM 185 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 185 is visually unobtrusive and well suited to TV and radio applications.

Description

The Audio-Technica ATR4697-USB is an omnidirectional condenser boundary microphone. It takes the same design as the ATR4697 and retrofits the connection for the digital world, giving you a USB-C termination and a USB-C to USB-A adapter to plug it into your Mac or Windows computer.

The low-profile microphone has an omnidirectional pickup pattern for full 360 degree coverage. It is equipped with a 1.5 m (4.9') cable terminated with a USB-C connector and comes with a USB-C to USB-A adapter for greater compatibility.

Description

Description

The Neumann U 89 i is a universal studio microphone combining classic transformer coupled circuit topology with a state of the art Neumann capsule. Its linear yet smooth response has made it a prime choice for voice over and speech, but thanks to five selectable polar patterns, low noise and distortion, it covers almost any recoding situation in any genre.

The U 89 i combines advanced capsule technology with classic transformer coupled electronics. The result is a very versatile large diaphragm condenser microphone for all studio applications. Its features include five selectable polar patterns and a two-stage low cut as well as a switchable 6 dB preattenuation for extreme sound pressure levels of up to 140 dB without unwanted distortion.

The U 89 i is similar in appearance to the legendary Neumann U 87 but smaller in size and lighter weight. This is no coincidence: Introduced in 1980, the U 89 i was conceived with the goal to improve upon the classic Neumann U 87. While the latter has remained the world's most beloved large diaphragm condenser microphone, the U 89 i is indeed technically superior in many respects. Not only can the U 89 i handle much higher sound pressure levels, it also has a more flexible low cut filter (lin, 80Hz, 160 Hz) to suppress rumble and compensate for the proximity effect. And in addition to the three main polar patterns, omni, cardioid, and figure-8, the U 89 i offers two intermediate positions, wide cardioid and hypercardioid.

The U 89 i offers the best of both worlds: It combines the sonic precision and linearity of a state-of-the-art small diaphragm condenser microphone with the smoothness and flexibility of a large diaphragm microphone. This makes the U 89 i a truly universal studio microphone. The U 89 i is an excellent vocal microphone, especially for trained professionals who prefer to have their voice captured in its natural beauty. For the same reasons, the U 89 i is a sought-after microphone for voice over and film dubbing. U 89 i's unique combination of flexibility and superior off-axis behavior makes it an excellent choice for orchestral recordings, where it can be used as a main microphone or as a spot microphone for soloists and individual sections.

Description

Once again Behringer breaks the affordability barrier with the new Ultralink ULM Series USB Wireless Microphone Systems. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the dynamic hand-held mic thanks to its built-in transmitter, which operates in the license-free 2.4 GHz range. And because the receiver can be connected directly to your PC/Mac computer's USB port, you can record directly into your favorite DAW application.

Our state-of-the-art transmitters and receivers operate in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers, two of the main culprits that wreak havoc in the wireless zone. And because it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems.

Replacing batteries in wireless mics can get expensive really fast—and having them die in the middle of your set can be a showstopper! That's why we devoted extra time in developing ULM USB Series, ensuring that battery life is extended as long as possible. You get an honest 8 hours performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

It can be a real hassle running back and forth to get your volume set just right, so we put easy-to-operate Volume Up and Down buttons right on the microphone body. And should you accidentally wander into the “Feedback Zone”, we've included a handy Panic Mute function that engages when you press and hold the Volume Down button.

Operating in the 2.4 GHz band allows Behringer ULM Series USB Wireless Microphone Systems to be used across the globe without any special licensing requirements. ULM Series USB Wireless Microphone Systems are only available from Behringer, the premier audio manufacturer recognized worldwide for outstanding build quality and exceptional value.

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Description

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