Description

The Sennheiser EW 100 G4-935-S is an easy-to-set-up rackmount wireless handheld microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses-of-worship, theaters, or on musical stages.

The EW 100 G4-935-S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 42 MHz UHF tuning range with 1680 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.

This system includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 935 dynamic cardioid microphone capsule optimized for speech intelligibility and vocal clarity. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

The EW 100 G4-935-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

Description

The Sennheiser e604 Microphone is a rugged, cardioid instrument microphone that is specially designed to handle the high sound pressure levels of drums, percussion, woodwind, and brass instruments without distortion. It captures frequencies between 40 Hz and 18 kHz, doing so at sound pressure levels in excess of 160 dB without nasty distortion.

Based on the design of the well-regarded MD 421 microphone, the e 604 features a dynamic transducer, which does not require phantom power, and its cardioid polar pattern is effective in minimizing pickup and feedback at the off-axis sections of the capsule. An integral stand mount screws directly onto mic stands, but the included clip of the microphone attaches the microphone to the rim of a drum or the bell of saxophones. A slight bump between 4 and 5 kHz allows instruments to cut through the mix. 

Here, three e604 microphones are bundled together for your convenience. With these three mics, you could capture the snare, rack tom, and floor tom of a drum set. Another usage could be three different horns within a horn section. The decision is yours with three microphones at your disposal, there are quite a few options indeed.

Description

Description

The Neumann U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns. The U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.

The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with the Neumann sound and continues to be used in its successor, the U 87 A. No less important is the U 67's masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don't mind a bit of tube grit).

As timeless as its sound and technical design is its outer appearance. The U 67's cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.

Description

The Shure SM58-LC Vocal Microphone features a cardioid dynamic vocal design well suited for professional vocal use in live performances, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath "pop" noise, while the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise.

The microphone offers durable construction, a high-quality internal shockmount system, and a steel mesh grille for withstanding rough handling. The SM58-LC is designed to perform consistently both outdoors and indoors and when used for singing or speech applications. The microphone includes a microphone clip and a zippered pouch.

Description

Description

The Rode M2 is a rugged live-performance condenser microphone designed to provide a full frequency response and premium performance on stage.

Featuring a tailored-for-stage super-cardioid polar pattern and an internally shock mounted 1/2" condenser capsule, the M2 provides a high quality alternative to dynamic microphones for live performance. The addition of an on/off switch adds versatility for artists that prefer greater control over their sound, while a lock ensures that the microphone cannot be accidentally switched.

The Rode M2 live condenser microphone is designed and made in Australia, and covered by R?DE Microphones' industry leading 10 year warranty.

Description

The Audio-Technica AT2050 Multi-Pattern Condenser Microphone is designed for use in home studios, project recording, and live sound reinforcement applications. It can be used for capturing vocals, general instruments, and speaker cabinets. The side-address condenser microphone features user switchable cardioid, omnidirectional, and figure-8 polar patterns for versatile operation. 

Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.

Description

Description

The Fifine K780 is a USB microphone kit comes with rugged metal construction for durability. It features a heavy-duty mic stand that consists of sturdy C-clamp and metal desktop mount, it can clip tight to any desk up to 2? thick. This adjustable boom arm is strong enough to hold the microphone for studio as well as home use.

The K780's cardioid polar pattern is doing especially good at picking up crystal-clear audio. With the arm stand and shock mount holding the mic firmly in place to effectively minimize ambiance noise. Plus the pop filter and wind shield for cutting out annoying “p” or “b” sound. You are much closer to have smooth and clean audio quality even in a less treated environment.

The package consists of a high quality condenser microphone, a sturdy scissor suspension arm stand, a metal shock mount, a dual layered pop filter and even a windscreen.

Description

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