Description

Description

Description

The Behringer CB100 is a universal cardioid gooseneck microphone for acoustic instruments. It has a frequency response designed for string, brass, percussion, and woodwind instruments, and can be used for recording or sound-reinforcement applications in the studio or onstage.

The CB100 clips on your instrument and is compatible with most instrument clamps (clamp available separately). It features a flexible and stable gooseneck for easy sweet-spot positioning. The microphone's cardioid pickup pattern focuses on the sound in front of the mic and helps reject unwanted noise coming from the sides.

The CB100 is built with rugged, reliable, die-cast body construction. It is equipped with wind and pop filters to keep your sound clean. Connect the mic using the integrated XLR cable and power it via +48V phantom.

Description

The Sennheiser  XSW 2-835-B Wireless Handheld Microphone System with e835 Capsule (A: 548 to 572 MHz) features a true diversity receiver, and a handheld transmitter with an intuitive LCD display. It has 12 compatible channels and is offered as an easy to use, all-in-one wireless system for singers and presenters.

The unit has automatic frequency management and synchronization so you don't have to scramble to find an available channel. The transmitter's e835 capsule uses a cardioid polar pattern, which is part of the evolution series and designed for withstanding tougher, live-stage conditions.

Description

Description

The Neumann U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns. The U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.

The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with the Neumann sound and continues to be used in its successor, the U 87 A. No less important is the U 67's masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don't mind a bit of tube grit).

As timeless as its sound and technical design is its outer appearance. The U 67's cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.

Description

The Neumann U 87 Ai Condenser Microphone is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot microphone for single instruments, and extensively as a vocal microphone for all types of music and speech.

The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.

The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

Description

The Behringer Ultralink ULM300MIC Wireless Microphone System, includes one of Behringer's high quality ULM300M handheld microphones and the equally-impressive ULM300RS single-channel receiver. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the custom-designed microphone capsule that is optimized for vocal performance, and the built-in transmitter that operates in the license-free 2.4 GHz range.

The state-of-the-art transmitter operates in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers. Since it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems. The ULM300RS single-channel receiver tracks your every move, with a range of up to 200 feet (60 m).

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper! That's why we devoted extra time in developing the ULM300MIC to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

Setup couldn’t be easier, because the ULM300M mic automatically pairs with the ULM300RS single channel receiver without you having to lift a finger. Convenient front-panel LEDs on the receiver show your signal presence and strength, while indicators on the transmitter let you know at a glance when it's time to change batteries. Audio outputs are balanced XLR and unbalanced 1/4" TS, allowing you to connect to PA and conference room systems or high-quality instrument amplifiers.

Operating in the 2.4 GHz band allows your ULM300MIC Wireless Microphone System to be used across the globe without any special licensing requirements. The ULM300MIC is ultra-easy to operate, as each mic is designed for easy-to-understand and operate Volume buttons right on the microphone body. Should you accidentally wander into the “Feedback Zone”, it's included with a handy Panic Mute function that engages when you press and hold the Volume Down button.

Description

The Neumann M 147 Tube brings back the classic sound of Neumann's famous tube microphones of the 1950s. The M 147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise. Its transformerless output stage ensures superb performance at an attractive price.

With digital recording and ultra-clean processing, many engineers find themselves looking for tube microphones to reinstate a more analogue sound character. The Neumann M 147 is a tube microphone specially designed for 21st century recording chains. Its acoustic design is inspired by the legendary U 47, which revolutionized studio recording in the 1950s with its superior sound quality and is still used daily in top studios around the world. The head amplifier of the M 147 combines classic tube circuitry with an advanced solid state output stage for vintage sound with a modern punch.

The M 147?s unique sound character with unsurpassed presence and a distinctive midrange focus is ideally suited for vocals, both male and female, as well as speech applications such as voice-over and film dubbing. The M 147 is also an excellent spot mic for any solo instruments. Unlike many other tube microphones, the M 147 can be used for quiet sources, due to its exceptionally low self-noise of only 12 dB-A. Although its max SPL figure of 114 dB appears low, the M 147 works well with louder sources, too, as distortion rises very slowly to 5% THD for 134 dB SPL. This behavior is intentional: The M 147 creates a sense of elevated loudness by means soft saturation just like in the days of analog recording.

Description

The Sennheiser e906 is a supercardioid instrument microphone primarily designed for close capturing of guitar cabinets. The e906 features a dynamic element with a supercardioid polar pattern that provides optimum rejection of off-axis signal and residual noise. The e906 provides high headroom and low distortion when capturing signals at excessive sound pressure levels.

The element responds to very fast attacks with extreme accuracy, without distortion. With its frequency response of 40 Hz to 18 kHz, the e 906 is an excellent choice for guitar cabinets, as well as percussion and brass instruments.

Description

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