Description

The Rode NT55MP is a matched pair of compact condenser microphones designed to accurately reproduce vocals and general instruments in recording and sound reinforcement applications.

The NT55MP features a 3-position pad switch for added headroom while capturing loud, peaking audio signal. A 3-position low-cut filter switch eliminates low-frequency noise. The NT55 is a great choice for vocals, guitar, drums, cabinets, and more. The NT55MP includes interchangeable omnidirectional and cardioid capsules for even further flexibility.

Description

The Sennheiser EW 100 G4-835S is an easy-to-set-up rackmount wireless lavalier microphone system that includes both a hands-free lavalier mic and a handheld mic option. It brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses-of-worship, theaters, or on musical stages.

The EW 100 G4-ME2/835S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 46 MHz UHF tuning range with 1840 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.

This system comes with an ME 2-II omnidirectional lavalier microphone with a lightweight bodypack transmitter. It also includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 835 dynamic cardioid microphone capsule and a mute switch. Both mics are optimized for speech intelligibility. Each transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

The EW 100 G4-ME2/835-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

Description

Description

The Sennheiser e614 is a supercardioid electret condenser microphone designed for general recording and sound-reinforcement applications. The e 614 features high SPL handling and fast transient response making it ideal for drums, percussion, bass, guitar, brass and other instruments rich in transient response.

The supercardioid polar pattern is effective in minimizing noise and ambiance at the off-axis sections of the microphone capsule. The wide, flat frequency response of 40 Hz to 20 kHz lends itself for use on vocals as well as instruments.

Description

The Rode NT4 Stereo Condenser Microphone offers a perfect X/Y stereo array without the need for matched pair microphones, complex stereo bars and equipment. Simply place the microphone and capture a realistic stereo field using a single microphone.

Combining an acoustically matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design in a studio or in the field.

The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

The RodeE NT4 microphone is designed and made in Australia, and covered by Rode's industry leading 10 year warranty.

Description

Description

Description

The Sennheiser e865 represents the first condenser microphone in the acclaimed evolution series. A live performance, lead vocal microphone, the e 865 easily cuts through high-on-stage levels by virtue of its detailed and natural 40 Hz to 20 kHz reproduction and superb transient response.

Its smooth supercardioid polar pattern rejects feedback with low, off-axis coloration. The e 865 withstands sound pressure levels of up to 150 dB, and deftly suppresses pop noise. While it picks up the finest sonic nuances, the e 865 is at the same time rugged, benefiting from high-quality workmanship and a robust all-metal housing.

Description

Comprised of everything you need to capture steady video and clear, focused audio on a smartphone for your next vlog, video shoot, or news piece, the Sennheiser MKE 400 Mobile Kit is a comprehensive bundle that features Sennheiser's second-generation MKE 400 camera-mount shotgun microphone, a Manfrotto PIXI mini tripod, a smartphone clamp, two output cables, and outdoor wind protection. It provides content creators with a lightweight and highly portable solution for producing high-quality sound and video anywhere, anytime.

Add the compact and lightweight second-generation Sennheiser MKE 400 directional shotgun microphone to your camera- or smartphone-based shooting rig to make an easy upgrade in sound quality, even in noisy environments, without having to carry around a cumbersome windscreen and suspension system. Plus, it offers a 3-stage gain control and a low-cut filter so you can optimize the sound of your recording right at the mic.

Thanks to its integral wind protection, built-in shock absorption, long battery life, and headphone monitoring port, the MKE 400 is a truly capable solution for capturing clear audio—a perfect companion for vloggers, run-and-gun videographers, and mobile journalists who need a quality camera-mount mic that will never get in the way of the shot.

To ensure that you're prepared for any shoot, the MKE 400 includes two locking 3.5mm audio cables—one features a standard TRS plug for compatibility with cameras and DSLRs, while the other utilizes a TRRS plug to connect with your smartphone or tablet. Plus, the supplied furry windshield can be slipped over the MKE 400 to provide increased protection from wind noise when shooting in outdoor environments.

Perfect for mobile journalists, YouTubers, vloggers, and more, the Sennheiser Mobile Kit is designed to provide stable mounting and easy positioning for your smartphone and existing microphone or wireless receiver. It includes a Manfrotto PIXI mini tabletop tripod and a smartphone clamp, which has a built-in cold shoe mount to support attachment of Sennheiser's MKE 200, MKE 400, XS Lav USB-C, or XSW-D wireless receiver RX 35 (all available separately).

The PIXI features a locking ball head and rubber feet for secure placement, and its legs can be collapsed to allow handheld videography. Since it supports a weight capacity of up to 2.2 pounds, it can accommodate your smartphone and Sennheiser's lightweight on-camera audio solutions. Whether you shoot in portrait or landscape mode, the smartphone clamp is equally well suited for production. Plus, it offers 1/4"-20 and 3/8" mounting options for affixing a variety of accessories.

Description

The Neumann U 47 FET uses the same K 47 large diaphragm condenser capsule and the same headgrille design as its tube operated predecessor, the legendary U 47, which revolutionized the recording and broadcast industries from 1949 to1960. For sonic continuity, the U 47 fet also uses a similarly oversized output transformer. Otherwise, its transistorized head amplifier is an amazingly advanced design and a testament to Neumann?s state of the art engineering. This ?vintage? microphone has a dynamic range of 119 dB.

The U 47 fet can handle extreme SPLs of up to 137 dB, and even 147 dB with the ?10 dB pad switch engaged. This, along with its smooth top end and lush midrange, makes the U 47 fet an excellent microphone for bright and loud instruments such as brass and electric guitar. Due to its exceptionally clear and uncluttered low end, it is a great choice for upright bass and bass cabinets. Numerous top engineers consider U 47 fet the ultimate microphone to place in front of the kick drum. At the same time it is an excellent vocal mic for crooners and screamers alike, due to its beautifully balanced response with just a slight, unobtrusive boost in the upper mids for added presence in the mix.

The U 47 fet comes with a unique one-sided swivel mount, which makes it easy to position. Pad and low cut switches are accessible on the rear of the microphone. An additional switch next to the XLR socket allows for attenuating the output signal by 6 dB, which is a handy feature in conjunction with low-headroom vintage preamplifiers.

Description

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