Description

The Shure SM86 is a cardioid (unidirectional) condenser handheld microphone intended for use in sound-reinforcement and recording applications. The cardioid pattern is effective in reducing ambient, off-axis noise making it a suitable option for use near stage monitors, loud instruments etc.

The condenser element requires between 11 to 52 Volts DC phantom power and produces a sensitivity far greater than that of dynamic microphones. Condenser elements provide higher output levels, frequency response, and dynamic range resulting in studio-level sonic quality.

A built-in 3-stage shock-mount minimizes handling noise and an internal windscreen reduces noise caused by wind and breath sounds. It's rugged metal construction is made to withstand the rigors of touring and daily use.

Description

The Shure BLX14UK/CVLX-K14 Lavalier Wireless System is part of the BLX wireless systems family. Shure BLX Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, it's the most accessible way to own the stage. Includes BLX4 wireless receiver, BLX1 bodypack transmitter, CVL lavalier microphone, power supply, lavalier clip, windscreens, and user guide.

The BLX1 bodypack transmitter has a 300' line of sight operation range with the BLX4 receiver. It is powered by two included AA batteries that can provide up to 14 hours of operation. The BLX4 receiver features microprocessor-controlled internal antenna diversity that helps prevent interference and signal dropouts. Its one-touch QuickScan feature detects the most interference-free frequency and sets the channel to it for fast setup.

Description

Description

A Great Sound for Any Purpose

Onboard Headphone Monitoring & Controls

Broadcast-Quality Audio Capture

Handy Hardware Included

Industry-Standard Software Included

Description

The PGADRUMKIT4 Drum Microphone Kit is an essential package of professional quality microphones, designed to provide excellent sound for close-mic kick drum, snare and tom performance and recording.

The PGADRUMKIT4 Drum Microphone Kit consists of PGA52 kick drum mic, PGA57 instrument mic, a pair of PGA181 large diaphragm condenser mics, 3 mic clips, 4 XLR cables, and a carrying case. The mics can be used in any number of recording scenarios, including drums, guitar, bass, vocals, and more.

Description

Description

The Audio-Technica ATR1200X is a cardioid dynamic handheld microphone designed to capture audio for vocals and instruments. It can be used for live stage and rehearsal applications and offers quality and durability with a polar pattern that presents natural protection against feedback. The ATR1200x features an on/off switch and a permanently attached 5 m (16.5') cable with a 3.5 mm (1/8") mini-plug. An ideal choice for use with karaoke machines, computers, and PA systems, the mic includes a desk stand, adjustable stand clamp, and a 6.3 mm (1/4") adapter.

Description

The Behringer Ultralink ULM302MIC Wireless Microphone System, includes with 2 of Behringer's high-quality ULM300M handheld microphones and the equally impressive ULM300RD dual-channel receiver. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the ULM300MIC’s custom designed microphone capsule that is optimized for vocal performance, and the built-in transmitter that operates in the license-free 2.4 GHz range.

The state-of-the-art transmitter operates in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers. And since it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems. The ULM300RD dual-channel receiver tracks your every move, with a range of up to 200 feet (60 m).

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper. That's why Behringer devoted extra time in developing the ULM300M to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

Setup couldn’t be easier, because the ULM300M mics automatically pair with the ULM300RD dual-channel receiver without you having to lift a finger. Convenient front-panel LEDs on the receiver show your signal presence and strength, while indicators on the transmitter let you know at a glance when it's time to change batteries. Audio outputs are balanced XLR and unbalanced 1/4" TS, allowing you to connect to PA and conference room systems or high-quality instrument amplifiers.

Description

The Neumann BCM-104 Large Diaphragm Condenser Broadcast Microphone features a large-diaphragm, cardioid condenser capsule. It has a frequency response that is flat up to 3 kHz and then gradually boosted in the higher frequencies. If required, internal switches can be used to compensate for the proximity effect and to reduce the sensitivity by 14 dB.

The microphone headgrille twists off for quick cleaning. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen. The microphone has an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms.

The microphone headgrille houses the K 04 large-diaphragm capsule, which has a flat frequency response up to 3 kHz. Higher frequencies have an increased presence up to 2 dB. Since the above-mentioned microphone characteristics are obtained without the use of resonance effects, the microphone features excellent transient response and transmits all transient phenomena of music and speech without any coloration.

A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.

Instead of a transformer to couple the microphone output to the supply voltage, the BCM-104 has an electronic circuit which, like a transformer, provides for good common mode rejection. Interference induced in the balanced modulation line is thus suppressed effectively. With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL, the BCM-104 has a dynamic range of 131 dB (A-weighted).

The BCM-104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses signals below this frequency. In order to compensate for the proximity effect, an electronic high-pass filter, activated by a switch, is built into the microphone. This filter reduces frequencies below 100 Hz by 12 dB/octave. A 14 dB pre-attenuation switch is provided in order to adjust the sensitivity, if necessary, to circuits designed for dynamic microphones. But this will increase the self-noise accordingly. Both switches are located inside the microphone housing, since they will normally be operated only once, when the broadcasting facility is set up.

The preferred mode of operation is to suspend the BCM-104 from a standard studio boom arm. A thread adapter to fit different connector threads is included. In order to provide protection from structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.

Description

Description

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