Description

Description

The Shure SM57-LC Microphone is a cardioid dynamic microphone used in many applications including the USA's presidential podium for over 3 decades. It is a suitable choice for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57-LC is ideal for live sound reinforcement and recording. It has an effective cardioid pickup pattern, which isolates the main sound source while minimizing background noise.

In the studio, the SM57-LC is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57-LC is a consistent choice of professional performers. Its outstanding performance, legendary reliability, and application diversity make this workhorse the choice of performers, producers, and sound engineers all over the world.

Description

The Sennheiser e935 is a handheld cardioid dynamic microphone offering a smooth tone and fast transient response for reproduction of vocals, speech, and instruments in public address, houses of worship, and live stage applications. Its dynamic capsule utilizes a neodymium magnet for stability and is shockmounted to reduce handling noise. It requires no power source and delivers a frequency response of 40 Hz to 18 kHz with a gentle boost from 3 to 11 kHz. The cardioid polar pattern excels at rejecting sound at its off-axis points, yielding enhanced immunity to feedback.

The internal hum-compensating coil impedes electrical interference while the durable, metal construction delivers road-ready toughness. The XLR 3-pin output ensures compatibility with most microphone preamps and mixer inputs. The e935 ships with a mic clip and a protective pouch.

Description

Description

The Fifine K037 is a high quality studio microphone captures crystal clear audio, which features a zero-latency stereo headphone monitoring, allows you to monitor the microphone input in real-time. It is ideal for recording, singing and musical performances. The K037 is always best in resisting wind noise and mechanical or handling noise.

Fifine K037 is mainly made up of a transmitter with an LCD screen, which will display the current frequency channel and the battery level, as well as a receiver with LED indicators or a one-way clip-on microphone. For practical purposes, this is a professional audio solution that ensures the capture of intelligible and clear audio. Furthermore, the ultra-compact design of both the receiver and the transmitter, as well as the plug-and-play operation, allows easy and convenient use for mobile journalists, cameramen, vloggers or any kind of communication professional who needs it.

In addition, the Fifine K037 wireless microphone set comes with a receiver with a 1/4" audio interface, making it perfect for most speakers, mixers, amplifiers and other sound systems. However, thanks to the included cables with TRS and TRRS connector it is also compatible with 3.5mm jack devices, such as smartphones, tablets, cameras, video cameras, etc.

Description

The black Sontronics Podcast Pro is a dynamic broadcast microphone designed to deliver a clean and clear vocal sound out of the box for a range of applications including podcasting, broadcasting, voice-over work, gaming, and more. The supercardioid polar pattern yields tight frontal pickup with enhanced side rejection while the integral 3-layer pop screen impedes problematic vocal plosives and sibilance.

The dynamic capsule produces a frequency response of 50 Hz to 15 kHz, ideal for detailed speech and vocals without EQ. The Podcast Pro features an integrated stand mount for easy placement on any mic stand or boom arm. Its balanced 3-pin XLR output allows standardized connectivity with a variety of mic preamps, audio interfaces, and mixers.

Description

The Sennheiser e604 Microphone is a rugged, cardioid instrument microphone that is specially designed to handle the high sound pressure levels of drums, percussion, woodwind, and brass instruments without distortion. It captures frequencies between 40 Hz and 18 kHz, doing so at sound pressure levels in excess of 160 dB without nasty distortion.

Based on the design of the well-regarded MD 421 microphone, the e 604 features a dynamic transducer, which does not require phantom power, and its cardioid polar pattern is effective in minimizing pickup and feedback at the off-axis sections of the capsule. An integral stand mount screws directly onto mic stands, but the included clip of the microphone attaches the microphone to the rim of a drum or the bell of saxophones. A slight bump between 4 and 5 kHz allows instruments to cut through the mix. 

Here, three e604 microphones are bundled together for your convenience. With these three mics, you could capture the snare, rack tom, and floor tom of a drum set. Another usage could be three different horns within a horn section. The decision is yours with three microphones at your disposal, there are quite a few options indeed.

Description

The Neumann KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

Despite its attractive pricing, the KM 185 offers state-of-the-art Neumann engineering. Its hypercardioid pattern is frequency-independent; rejection of rearward sound (120 degree) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 185's frequency response is very smooth and linear with a slight treble lift around 10 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule's sonic integrity. The KM 185 has a very low self-noise of only 15 dB-A and can handle high sound pressure levels of up to 142 dB free from distortion. Due to its low impedance output stage, the KM 185 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

The KM 185 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 185 a superb microphone for acoustic instruments, such as piano, acoustic guitar, upright bass, violin, cello, wind instruments, drums and percussion. Its high rejection at 120 degree without off-axis coloration makes the KM 185 a perfect problem solver in demanding applications, such as recording the snare drum while suppressing spill from the hi-hat. Although the KM 185 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 185 is visually unobtrusive and well suited to TV and radio applications.

Description

The Neumann M 147 Tube brings back the classic sound of Neumann's famous tube microphones of the 1950s. The M 147 tube is a cardioid microphone using the same large diaphragm capsule as the legendary U 47 but combines it with an innovative tube circuit for lowest noise. Its transformerless output stage ensures superb performance at an attractive price.

With digital recording and ultra-clean processing, many engineers find themselves looking for tube microphones to reinstate a more analogue sound character. The Neumann M 147 is a tube microphone specially designed for 21st century recording chains. Its acoustic design is inspired by the legendary U 47, which revolutionized studio recording in the 1950s with its superior sound quality and is still used daily in top studios around the world. The head amplifier of the M 147 combines classic tube circuitry with an advanced solid state output stage for vintage sound with a modern punch.

The M 147?s unique sound character with unsurpassed presence and a distinctive midrange focus is ideally suited for vocals, both male and female, as well as speech applications such as voice-over and film dubbing. The M 147 is also an excellent spot mic for any solo instruments. Unlike many other tube microphones, the M 147 can be used for quiet sources, due to its exceptionally low self-noise of only 12 dB-A. Although its max SPL figure of 114 dB appears low, the M 147 works well with louder sources, too, as distortion rises very slowly to 5% THD for 134 dB SPL. This behavior is intentional: The M 147 creates a sense of elevated loudness by means soft saturation just like in the days of analog recording.

Description

The Neumann KM 184 MT is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Description

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