Description

The Quantum 2 from PreSonus is a low-latency audio interface that provides up to 22 inputs and 24 outputs of combined analog and digital connections. The unit's converters allow for low-latency recording as well as dynamic ranges of 120 dB on both AD (analog to digital) and DA (digital to analog) conversions. Furthermore, the Quantum 2 captures audio at 24-bit resolution, achieving sample rates up to 192 kHz.

For analog I/O, the Quantum 2 provides a complement of four inputs and four outputs. Microphone inputs are PreSonus' recallable XMAX preamps and include two combination 1/4" / XLR jacks for instruments, mic-level, or line-level signals, as well as two combination XLR/TRS jacks for balanced audio in (mic and line-level).The output section includes four 1/4" TRS outputs and a headphone jack with a dedicated volume control.

The digital I/O includes two banks of optical ADAT I/O as well as S/PDIF connections, bringing the grand total of ins and outs to 22x24. You'll find that the unit sports BNC wordclock connections, facilitating wordclock sync with other pieces of gear in your studio such as a master clock. 5-pin DIN MIDI I/O lets you connect your MIDI controller and send MIDI signals. Six eight-segment LED meters are provided. Thunderbolt 2 ports offer connections to your host computer, and with two of them on hand, you can daisy-chain other compatible devices to and through the Quantum 2. Included with the Quantum 2 is a version of PreSonus' DAW, Studio One Artist.

Description

The Behringer U-Phoria UMC202HD is a blazingly fast USB 2.0 Audio Interface that will have you recording your next masterpiece in minutes with all the connectivity for microphones, guitars, bass and keyboards. Record the perfect vocal right to your computer-based DAW thanks to the 2 astonishingly pure, world class Midas-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/192 kHz converters for the best possible sound quality. Whether you’re a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra-dependable U-Phoria UMC202HD will help you shine in the digital domain.

When it’s time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC202HD’s 2 combination XLR/TRS inputs for the ultimate in studio flexibility.

One of the things that really makes the Behringer U-Phoria UMC202HD USB 2.0 audio interface stand out is its genuine MIDAS preamplifier technology. Known throughout the world of live sound for delivering ultra clear sound with plenty of headroom, MIDAS preamps are among the most popular mic pres on Earth. What's more, these preamps come standard with +48V phantom power onboard, so you can use your choice of quality condenser microphones with your U-Phoria UMC202HD. Call your Sweetwater Sales Engineer, and turn this U-Phoria UMC202HD into a killer package deal with the perfect microphones and monitors for your complete recording rig.

The Behringer U-Phoria UMC202HD USB 2.0 audio interface mix control gives you zero-latency input monitoring, letting you experience your performance clearly, with no delay or lag in the returning signal. It's a fact, if you can't hear yourself properly, your performance will suffer. Luckily, the U-Phoria UMC202HD is designed to bring out your best

Description

A solid, affordable solution for singers, musicians, podcasters, and producers recording at home or on the go, the 25th-Anniversary Black PreSonus AudioBox USB 96 desktop 2x2 USB audio interface offers Class-A mic preamps with phantom power, MIDI I/O, and simple operability in a portable and sturdy steel chassis that is conveniently bus powered.

The AudioBox USB 96 utilizes 24-bit converters at sampling rates up to 96 kHz to ensure the integrity and detail of your signals, whether recording or mixing. The two XLR-1/4" combo inputs let you record microphones (dynamic or condenser) or instruments such as electric guitar while monitoring with zero latency via the adjustable direct monitor mix.

With two 1/4" line/monitor outs and a stereo headphone output, the interface can drive a set of speakers and headphones while offering independent volume controls for both. If you have MIDI gear such as a keyboard controller, synthesizer, or drum machine, simply connect them to the interface's 5-pin MIDI ports to smoothly integrate them into your production setup.

Description

Description

The PreSonus Studio 1810c desktop 18x8 USB audio/MIDI interface blends studio-quality sonic performance, versatile and expandable I/O, and refreshing ease of use.

With selectable 48V phantom power and four XMAX Class-A mic preamps fed via XLR-1/4" combo inputs, the Studio 1810c can accommodate any source, from condenser microphones and active DI boxes to electric instruments and line-level mixer outputs, with clarity and natural tonality. Utilize the four rear-panel 1/4" inputs to plug in outboard mic preamps or extra line-level sources directly to the A/D converters. All inputs and outputs feature quality converters that let the interface operate at up to 24-bit / 48 kHz resolution without sacrificing channel count, or at a 192 kHz sample rate with 8x6 I/O functionality.

Whether you use speakers, multiple headphones, or both, the Studio 1810c provides equally ideal operability with its two independent 1/4" headphone outputs, two main line/monitor outs, four additional line outputs, and separate volume controls for both headphone outs and the main output. The six line outputs are DC-coupled, so you can send MIDI sync and sequencer data from your DAW as CV (control voltage) to external analog synthesizers and drum modules.

The headphone mix can be sourced from outputs 1-2 or 3-4 via the A/B switch, a simple solution for getting a special cue mix to the artist. A quick press of the mute button cuts the main outputs, so you can communicate with clients in the room without shouting over the music. Unlike many budget interfaces, the Studio 1810c sports 4-segment LED meters for all four analog inputs and the main outs.

The 5-pin MIDI I/O jacks on the rear panel allow simple hookup of a MIDI controller, synthesizer, or groovebox, making the Studio 1810c advantageous for beatmakers, keyboardists, and electronic music producers. Also on the rear panel are RCA coaxial jacks, which are a welcome bonus for interconnecting digital audio equipment outfitted with S/PDIF digital I/O. Additional input expansion is possible by routing the digital output of an ADAT-equipped multichannel mic preamp into the TOSLINK optical input on the Studio 1810c.

Description

The third-generation Focusrite Scarlett 4i4 4x4 USB audio/MIDI interface lets artists and content creators score pro-level tone with no learning curve, no matter where they go.

Equally capable for tracking vocals and instruments, the two improved Scarlett microphone preamps feature switchable phantom power for condenser mics, pads to prevent distortion on loud input signals, and a selectable-per-channel Air circuit, which adds clarity-enhancing brightness based on Focusrite's legendary ISA preamplifier.

The two XLR-1/4" combo inputs are outfitted with switches that allow them to accept signal directly from electric instruments such as guitar and bass, from line-level sources such as stereo mixer outputs, or from a hot feed from a drum machine. The rear panel sports two additional fixed-level 1/4" inputs to accommodate more line-level sources such as the outputs of external mic preamps.

Unlocking the ability to record at standard CD quality or high-fidelity resolutions, the 24-bit / 192 kHz AD/DA converters ensure that signals are captured and reproduced with detail and accuracy. With four balanced 1/4" line outputs, a 1/4" stereo headphone jack, and independent control of the headphone and speaker volume settings, the Scarlett 4i4 can simultaneously feed multiple monitoring systems or outboard effects processors.

Description

The third-generation Focusrite Scarlett 18i8 18x8 USB audio/MIDI interface lets artists and content creators score pro-level tone with no learning curve. Built to deliver top-shelf sound in a desk-friendly and easy-to-use format for panel podcasters, producers, and small bands who need mix-minus functionality when taking calls.

Equally capable for tracking vocals and instruments, the four improved Scarlett microphone preamps feature switchable phantom power for condenser mics, pads to prevent distortion on loud input signals, and a selectable-per-channel Air circuit, which adds clarity-enhancing brightness based on Focusrite's legendary ISA preamplifier.

The first two XLR-1/4" combo inputs are software-switchable to allow them to accept signal directly from electric instruments such as guitar and bass or from line-level sources such as stereo mixer outputs, while combo inputs 3-4 can handle signal from mic or line sources. The rear panel sports four additional fixed-level 1/4" inputs to accommodate more line-level sources such as the outputs of external mic preamps.

Unlocking the ability to record at standard CD quality or high-fidelity resolutions, the 24-bit / 192 kHz AD/DA converters ensure that signals are captured and reproduced with detail and accuracy. With four balanced 1/4" monitor outputs, dual 1/4" stereo headphone jacks, and independent volume control of the two headphone outputs and the main/alt speaker outs, the Scarlett 18i8 can simultaneously feed multiple monitoring systems or outboard effects processors.

Description

Description

The Behringer ADA8200 features stunningly-accurate, reference-class Cirrus Logic A/D - D/A converters and 8 Award-winning Midas-designed Mic Preamps – making it the natural choice of professional musicians and audio engineers alike. Your recording tracks will sound just as amazing as you imagined them, when you lay them down with the ADA8200.

The ADA8200 is sublimely easy to operate, fits neatly into a single rack space and, thanks to the 8 Midas-designed mic preamps with switchable +48 V Phantom Power and integrated Cirrus Logic 24-bit A/D - D/A converters, you get incredibly detailed, pristine performance. Signal conversion takes place at your choice of 44.1 or 48 kHz with full 24-bit resolution. The ADAT Inputs and Outputs can be operated independently, as long as you use an identical word clock signal. And ADA8200’s operating frequency range is an ultra-wide 10 Hz to 24 kHz – at a very respectable, 48 kHz sampling rate. Put simply, the ULTRAGAIN ADA8200 is the professional’s edge.

Connections are provided for balanced XLR and 1/4" TRS, as well as unbalanced 1/4" TS inputs. XLR line out connectors located on the rear panel provide either balanced or unbalanced connectivity. Digital I/O is handled via ADAT format TOSLINK optical sockets, which support up to 8 independent channels of ultra-pristine data.

You can trust all your digital ones and zeros to the incredible ADA8200, the professional’s choice for recording absolutely-pristine tracks, thanks to its 8 Award-winning Midas-designed-mic pres with available phantom power, and the ultra-slick, reference-class Cirrus Logic A/D - D/A converters. The ULTRAGAIN ADA8200 ADAT Audio Interface provides amazing performance, and you’d gladly pay 2 to 3 times the asking price, and really love it.

Description

Description

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