Description

A Great Sound for Any Purpose

Onboard Headphone Monitoring & Controls

Broadcast-Quality Audio Capture

Handy Hardware Included

Industry-Standard Software Included

Description

The Neumann KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180 degree) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184's frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Description

The Neumann TLM 107 Studio Set is a reference class microphone for vocals and instruments with breathtaking realism. Five polar patterns plus variable pad and low cut settings make the TLM 107 exceptionally flexible. And with a dynamic range of 131 dB the TLM 107 captures anything from a slight whisper to massive drums without unwanted noise or distortion.

The TLM 107 offers true high definition sound quality at an affordable price. Neumann developed this microphone for project and home studio users who prefer to capture an uncolored sound image, true to the original source, in order to retain all options for post processing and mixing. The TLM 107, in turn, offers all the flexibility required to make a high quality recording of any source in any situation.

Neumann decided to give the TLM 107 a modern look, although the large tapered headgrille does echo the iconic design of such Neumann classics as the M 49 tube microphone. The stylish navigation toggle on the back of the microphone is a joy to use as it controls all settings in one place: pad (0/-6 /-12 dB), low cut (lin/40 Hz/100 Hz) and polar patterns.

The newly developed dual diaphragm condenser capsule is specially designed for the TLM 107 to offer outstanding transient response and an extended, carefully balanced frequency response for all polar patterns. This means, you can adjust the directional pattern according to the recording situation without affecting the overall sound balance. Which is quite extraordinary for a large diaphragm microphone! And, needless to say, the TLM 107 offers true Neumann quality in any setting.

The TLM 107 is primarily designed for small studios but due to its no-compromise sound quality can also be used for high-end professional applications including broadcast and classical recordings. Not only is the TLM 107 an extremely versatile workhorse microphone for a wide range of instruments, such as acoustic and electric guitar, piano, upright bass, drums and percussion; it is also an outstanding vocal microphone.

Description

Description

The Behringer SB 78A microphone is a home recording enthusiast’s dream come true! These professional-quality condenser microphones are designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable patterns, and its brilliant frequency SB 78A is an excellent choice for any recording scenario – and rugged enough to go the distance! With a heavy duty construction SB 78A is the only microphone your studio will ever need.

The SB 78A mics are capable of capturing much more detail than most dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power your SB 78A using any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The SB 78A condenser microphone is an affordable, high-quality way to get what you really hear down on tape (or in bits). SB 78A mics deliver an open, transparent sound with excellent transient response, with ruler-flat frequency response, and a slight boost in the presence range. The SB 78A has two selectable pickup patterns for picking up your source signal while rejecting off -axis sounds. SB 78A truly delivers on the promise of noise-free transmission, with the utmost transparency.

The SB 78A microphone is designed to be your go-to condenser mics for many years to come. The tough, die-cast metal body can withstand all the rigors of those late-night recording marathons – and the included carrying case ensures they always travel in safety and style.

The studio-grade SB 78A condenser microphone is an excellent choice for both live and studio applications, and available at a price that will leave you with enough cash left over to secure other recording essentials.

Description

Description

The Shure PGADRUMKIT7 is a 7-piece professional-quality drum microphone kit designed to capture sound for close-mic kick drum, snare, and tom performance sets. It can be used in audio applications for live stage, theater, houses of worship, and more.

The PGA52 handles the low-frequency sound of your kick drum like a champ. Tackle your toms and other high-impact sources with the PGA56. The PGA57 easily captures the loud, harmonically sound of your snare drum. With a pair of PGA81 as overheads, you'll create a realistic 3-dimensional sonic picture of your drum kit.

Complete with microphone clips, drum mounts, cables, and a carrying case, the Shure PGA Drum Kit 7 is a great set of drum microphones.

Description

The Rode NT1-AMP 1" Matched Pair cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world's most expensive microphones.

With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world's quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.

Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20' microphone cable, dust cover, and an downloadable instructional video packed with recording tips.

The Rode NT1-AMP large diaphragm 1" matched pair cardioid condenser microphone is designed and made in Australia, and covered by Rode Microphones' industry leading 10 year warranty.

Description

Description

The Neumann TLM 103 Large-Diaphragm Condenser Microphone is a cardioid microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.

The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

The TLM 103 is addressed from the side. The mic's large-diaphragm capsule is based on the K 87 and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large, wire mesh head-grille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. The microphone maintains a great impulse response and reproduces details of music and speech without coloration.

With just 7 dB-A and 17.5 dB CCIR, the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced almost noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

With TLM technology, the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

The entire internal construction is elastically mounted to attenuate any structure-born noise that could interfere with the TLM 103's operation. The capsule is set on an elastic mount and the frequency range reaches below 20 Hz, allowing even very low bass signals to be reproduced without coloration. Due to this low-frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise.

Description

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