Description

The Behringer ULTRAGRAPH PRO FBQ1502 is a professional, ultra-musical 15-band stereo graphic equalizer that is equally at home in both live and studio applications. It features the FBQ Feedback Detection System that instantly detects feedback frequencies and can also be used as an audio analyzer, making the unit a welcome addition to any touring rack.

An additional low cut filter removes unwanted frequencies such as floor rumble, while a highly accurate 4-digit LED output metering and input gain control allows one to easily adjust levels. The ULTRAGRAPH PRO FBQ1502 provides servo balance inputs and outputs with 1/4" TRS and gold-plated XLR connectors, high-quality illuminated faders, detent ALPS potentiometers and illuminated switches.

Description

Description

The Behringer Ultragraph Pro FBQ1502HD 15-band graphic equalizer is loaded with the professional features you need for dialing in great live sound. An FBQ Feedback Detection system quickly locates problem frequencies, while a Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption. Its 4580 dual op-amps exhibit low noise and excellent sound quality. Remove floor rumble and other unwanted low-end frequencies with a highpass (low-cut) filter on each channel. The Ultragraph Pro's 12-segment LED meter is extremely precise, and its input gain controls make setting levels a piece of cake. The Behringer Ultragraph Pro 15-band graphic equalizer is a great value for your studio or live sound rig.

The 4580 dual op-amps employed throughout supply great signal integrity, while a Planet Earth switching power supply ensures low noise and superior transient response. The Ultragraph Pro is ideal for adding the finishing touch to your live show or home recording.

The sweepable highpass (low-cut) filter on each of the Behringer Ultragraph Pro's channels attenuate unwanted sounds such as wind noise, floor rumble, electrical hum, and more. Ask any of the live sound techs here at Sweetwater, and they'll tell you that unnecessary low-frequency content really eats up your power amp's headroom. And having the ability to fine-tune your overall sound results in crystal-clear, dynamic output with the perfect level of low-end punch.

Description

The Behringer Ultragraph Pro FBQ3102 31-band stereo graphic equalizer gives you exceptional audio quality, reliability, and flexibility. The FBQ3102 sports Behringer's FBQ Feedback Detection System that instantly pinpoints feedback frequencies and may also be used as an audio analyzer. You can effortlessly set levels with the highly accurate 12-digit LED input/output metering and input gain control, exterminate rumble or tape hiss using the sweepable high- and low-cut filters on each channel, and beef up your low end using the dedicated subwoofer output. Say hello to your new tour buddy: the Behringer Ultragraph Pro FBQ3102 graphic EQ.

The Behringer Ultragraph Pro FBQ3102 gives you additional sweepable high and low cut filters for each channel, so you can eradicate unwelcome frequencies populated by items such as tape hiss and rumble. The Ultragraph Pro FBQ3102 is designed with your needs in mind.

The Behringer Ultragraph Pro FBQ3102 employs top-rung components such as ultra low-noise audio op amp, servo balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors, and a relay-controlled hard-bypass with an auto-bypass function. You can expect outstanding audio performance from the Ultragraph Pro FBQ3102.

You can expect long-term reliability from the Behringer Ultragraph Pro FBQ3102. With its high-quality illuminated 45-mm faders, detent potentiometers, and illuminated switches, the FBQ3102 has the goods to earn a place in your tour rack. For great performance, features, reliability, and value, check out the Behringer Ultragraph Pro FBQ3102 graphic EQ.

Description

The Behringer DEQ2496 is a high-precision digital 24-bit/ 96 kHz EQ/RTA mastering processor, ideal for sophisticated live sound trouble-shooting or audiophile mastering. Whether you’re putting the finishing touches on recorded material or creating an optimal live sound for a multi-way PA, the DEQ2496 is built to provide meticulous control.

The DEQ2496 is a whole rack of ultra-flexible equalization options, dynamics and time-correction solutions, all designed to optimize your rig’s sound quality like no other single piece of processing gear. Consider the DEQ2496 your audio engineer’s Swiss Army Knife – here are a just few examples: Dual 31-band Graphic Equalizers (stereo linkable) Dual 31-band Virtual Paragraphic Equalizers (stereo linkable) Dual 10-band Parametric EQ’s per stereo side Dynamically-activated EQ Feedback Destroyer with Learning Mode Stereo Imager Compressor/Expander Limiter Digital Delay RTA/SPL/FFT Analyzer with Auto EQ function.

Naturally, the DEQ2496 has a phase-neutral digital graphic EQ. But in addition, we’ve added a function that allows you to change the frequency bandwidths from 1/3, to as tight as 59/3. Or, if you prefer the old-school approach to variable bandwidth, we’ve included 10-bands of parametric filters that can be incrementally fine-tuned all the way down to 1/60 of an octave. Dynamic EQ (DEQ) automatically raises or lowers a defined frequency range based on volume level. It’s literally a combination of an equalizer (with frequency center and bandwidth controls) and a dynamics processor (with Attack, Release, Threshold and Ratio parameters). DEQ opens up a world of both creative mastering and PA problem solving possibilities. We’ve given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI.

The DEQ2496 Width processor provides control over Stereo Width (how clearly the two sides of the stereo image are separated from each other), Asymmetry (relative volume of left/right stereo signal), Rotation (panning of stereo + mono in the stereo image) and a multipart Shuffle function than can generate an additional low-frequency stereo width effect.

The DEQ2496 has a comprehensive set of dynamics processing tools that can be used as two independent channels or stereo linked. Everything you’d find on a dedicated compressor/expander is here, including variable ratios from 1:1.1 - 1:100, Attack times of 0 - 200 ms, 0 - 3 dB variable knee and 20 ms - 4 s Release times, all adjustable via a coarse/fine adjustment scale. The built-in separate Limiter features Threshold, Hold and Release functions.

You can delay either the DEQ2496’s Main or Aux outputs from 0 - 300 ms, and process left and right channels independently – and not only can you specify the time delay in feet or meters, you can even instantly compensate for changes in the ambient temperature.

The DEQ2496 features an FFT real time analyzer for precise graphic display of 61 frequency bands. You can monitor main or digital inputs and outputs, Aux/Digital Out, or a feed from an RTA microphone and display the results in a multitude of ways including funky retro VU meters. You get all of the usual peak/hold, display rate and scale features you would expect from a professional measurement tool, plus our user-definable AEQ (Auto EQ function), which allows you to analyze and adjust your system’s frequency response automatically (perfect for “roughing out” initial room adjustments). In Graphic EQ mode, you can choose between Uncorrected response, which shows the mutual influence of adjacent bands, or select True response to apply a specially developed algorithm that displays the actual results of the equalizer setting.

The DEQ2496 has balanced inputs and servo balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and XLR and optical output. Configuration is intuitive, with on-screen block diagram displays and you get a separate RTA mic/line input with phantom power, a professional wordclock input and MIDI connections for full remote control, as well as preset dumps and system updates. You can maintain up to 64 comprehensive user presets at a time and of course dump and load as needed. You can also save and recall individual modules such as DEQ, PEQ, Width or Dyn. These subsets of complete presets let you maintain most of a preset’s settings but vary a few (such as graphic EQ) without having to generate a whole new preset.

The DEQ2496 also features high-quality 24-bit/96 kHz A/D and D/A converters and two high-performance 32/40-bit floating-point digital signal processors for incredible sonic resolution and 113 dB dynamic range. The internal switch-mode power supply assures maximum flexibility (100-240 V~), noise-free audio, superior transient response, lowest possible power consumption and freedom from power surge damage.

Description

The Behringer FBQ2496 Feedback Destroyer PRO is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to off er a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.

Using an ultra-fast feedback detection algorithm, the FBQ2496 automatically and “intelligently” locates up to 20 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, plus the Panic button, your FEEDBACK DESTROYER can be up and running in a matter of seconds.

FBQ2496’s Auto mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode allows individual programming of up to 40 fully-parametric filters with frequency, bandwidth and gain adjustment. Open MIDI architecture makes future firmware updates and flexible communication with digital equipment exceedingly simple.

With the FBQ2496’s various modes, you can master just about any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ2496 can protect you from feedback in both your mono PA mains and a monitor mix.

Description

The Behringer Ultra-Q Pro PE2200 meets all requirements that you should expect, while having all the qualities you recognize as being important in a top-quality professional equalizer. It has 5 fully parametric bands, enabling you to notch out troublesome frequencies, or to creatively enhance the color of your music, much more precisely than with any graphic equalizer.

Additionally, a pair of tunable High- and Low-Cut Filters (12 dB/Oct.) allow you to eliminate noise beyond your program material's bandwidth, e.g. mains hum, system noise, etc.

Behringer's State-variable Filter design ensures ultra-smooth operation. Each of 5 parametric bands has variable Frequency, Bandwidth (variable from 0.03 to extremely wide 2 octaves), and 15 dB Cut/Boost. The lowest and highest frequency ranges are 20 Hz to 300 Hz and 1 Hz to 20 kHz respectively, and we have given you a high degree of overlap between the 5 bands, allowing you up to 30 dB cut or boost at a particular frequency!

Behringer uses a special parallel, rather than conventional serial filter arrangement. This keeps frequency-dependent phase shifts, to an absolute minimum. And because each of the 5 filter circuits resides in a separate side-chain, your main signal path suffers minimal disturbance.

A Constant-Q (Quality) performance for a parametric equalizer can only be achieved if no parameter interacts with any other. It is the total non-interaction between amplitude, frequency, bandwidth, and bands that enables the PEQ2200 to focus unerringly on the tone colour you want.

Description

The Behringer FBQ800 is a compact 9-band Equalizer, which is ideal for home studios and live PA rigs. A convenient Low Cut Filter helps kill unwanted low-end rumble while a pair of LED meters let you monitor the input or output of the FBQ800. Behringer also loaded this powerful EQ unit with their FBQ Feedback Detection system. It finds the offending frequency and turns that fader red so you can quickly turn it down. 

The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

The FBQ800’s Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out—voilà, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.

With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and that’s a lot!). Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

Speaking of headroom, FBQ800’s 6-digit LED I/O meters and level control are provided for precise level maintenance. Long-term reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra-compact signal processing solution.

Description

Description

The FBQ1000 Feedback Destroyer is the fastest feedback suppressor on the market, with a response time of less than 0.2 seconds. Whether you use it to kill feedback dead in its tracks for your mains and/or monitors, or as a sophisticated parametric equalizer to fine-tune the acoustics of your next gig, the FBQ1000 will bring a new level of finesse to your sound. And if you use in-ear-monitors, the FBQ1000 is a must-have to protect your most valuable assets for your ears.

Using an ultra-fast feedback detection algorithm, the FBQ1000 automatically and “intelligently” locates up to 12 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, your Feedback Destroyer can be up and running in a matter of seconds.

FBQ1000’s Auto mode continuously monitors the mix, resetting programmed filters automatically to eliminate the slightest hint of feedback – without you having to do anything at all! It doesn’t get much easier than this. If you prefer a more “hands-on” approach, the Manual mode allows programming up to 24 fully-parametric filters (with Frequency, Bandwidth and Gain controls) to optimize your sound to the room’s acoustics.

The FBQ1000 is the quick and easy way to protect yourself and your audience from live sound’s #1 enemy – feedback! Plus it’s rack-mountable and ultra-affordable. With the FBQ1000’s various modes, you can master virtually any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ1000 can protect you from feedback in both your mono PA mains and a monitor mix. Check one out at your nearest BEHRINGER dealer today. Your ears and your audience will thank you.

Description

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,