Description

Description

The Behringer B-2 PRO microphone is a home recording enthusiast’s dream come true! These professional-quality condenser microphones are designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable pickup patterns (cardioid, omni and figure eight), frequency filters and input pads, B-2 PRO ultra-low noise mics are an excellent choice for any recording scenario, and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the B-2 PRO just may be the only microphone your studio will need.

The B-2 PRO mics are capable of capturing much more detail than most dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power your B-2 PRO using any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 PRO condenser microphone is an affordable, high-quality way to get what you really hear down on tape (or in bits). Thanks to the pressure gradient transducers and shock-mounted 1.0" gold-sputtered dual-diaphragm capsules, the B-2 PRO mic deliver an open, transparent sound with excellent transient response, with ruler-flat frequency response from 20 Hz to 20 kHz, and a slight boost in the presence range. The B-2 PRO has three selectable pickup patterns: omni for capturing sound in all directions, cardioid for picking up your source signal while rejecting off -axis sound, and figure eight for picking up only what is directly in front of and behind the microphone’s diaphragm – without any bleed from the sides.

Thanks to its exceptional transducers and gold-plated XLR outputs, the B-2 PRO truly delivers on the promise of noise-free transmission, with the utmost transparency. The B-2 PRO also has a switchable -10 dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to tame ultra-low frequencies.

The B-2 PRO microphone is designed to be your go-to condenser mics for many years to come. The tough, die-cast metal body can withstand all the rigors of those late-night recording marathons – and the included carrying case ensures they always travel in safety and style.

The studio-grade B-2 PRO condenser microphone is an excellent choice for both live and studio applications, and available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible B-2 PRO at a dealer near you.

Description

The Audio-Technica ATR1500X Cardioid Dynamic Vocal/Instrument Microphone is a handheld mic that is tuned for clear vocal and instrument reproduction. It can be used for live stage and rehearsal applications and is designed to reduce the pickup of sounds from the sides and rear of the microphone improving isolation and reducing feedback.

The mic's directional polar pattern keeps the pickup focused on the sound source, delivering clear, natural-sounding reproduction of vocals and instruments, while also helping to prevent feedback. The ATR1500x includes a detachable 5 m (16.5') XLR-to-XLR cable for use with live/studio mixers and professional sound systems. And its rugged metal construction and convenient on/off switch ensure reliable, easy-to-use performance.

Description

The Neumann TLM 103 Studio Set Large-Diaphragm Condenser Microphone is a cardioid microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.

The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

The TLM 103 is addressed from the side. The mic's large-diaphragm capsule is based on the K 87 and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large, wire mesh head-grille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. The microphone maintains a great impulse response and reproduces details of music and speech without coloration.

With just 7 dB-A and 17.5 dB CCIR, the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced almost noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

With TLM technology, the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

The entire internal construction is elastically mounted to attenuate any structure-born noise that could interfere with the TLM 103's operation. The capsule is set on an elastic mount and the frequency range reaches below 20 Hz, allowing even very low bass signals to be reproduced without coloration. Due to this low-frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise.

Description

Once again Behringer broke the affordability barrier with their new Ultralink ULM202USB Wireless Microphone System. Now you are free to work the room to your heart’s content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the 2 dynamic hand-held mics thanks to their built-in transmitter, which operates in the license-free 2.4 GHz range. The dedicated ULM receiver not only connects to your PC/Mac computer’s USB port for recording directly into your favorite DAW application, but also works with a wide range of Behringer “Wireless-Ready” mixers and powered speakers for the ultimate in versatility.

The state-of-the-art transmitters and receivers operate in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers, two of the main culprits that wreak havoc in the wireless zone. Because it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems.

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper. That’s why Behringer devoted extra time in developing the ULM202USB to ensure that battery life was extended as much as possible. You get an honest 30 hours performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet. 

Behringer wanted the ULM202USB to be ultra-easy to operate, so they gave each mic easy-to-understand and operate volume buttons right on the microphone body. Should you accidentally wander into the “Feedback Zone”, it's included with a handy Panic Mute function that engages when you press and hold the Volume Down button.

Operating in the 2.4 GHz band allows your ULM202USB Wireless Microphone System to be used across the globe without any special licensing requirements.

Description

The Sennheiser XSW-D PEDALBOARD SET is a gig-ready, low-latency, wireless guitar system that's as easy to use as a guitar cable, while still providing the freedom of digital wireless. The XSW-D puts world-renowned Sennheiser sound quality into a plug-and-play, 1-button digital system that anyone can operate. Plug it in, power it up, and you're immediately up and playing, simplifying your setup so you can concentrate on performing with confidence.

The XSW-D PEDALBOARD SET comes with a miniaturized 1/4" plug-on instrument transmitter. The pedalboard receiver includes a built-in tuner and direct box, which add versatility to your rig, while saving valuable space. The system connects to any guitar/bass amplifier, pedal, stage box, or mixing board, capturing the full range of your instrument without compromising your tone?on stage, at home, or in rehearsals..

Description

The Sennheiser XSW 1 CI1-B UHF Instrument Set is an easy to use all-in-one wireless system for guitarists and bassists. It can be used for live sound applications to free the performer from instrument cables, which connect to a power amp or mixer.

The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and a 1/4" instrument cable. It is built with antenna-switching diversity reception and features automatic frequency management and synchronization via remote channel. Up to 10 compatible channels are available. Additionally, an AC power adapter and two AA batteries are also included.

Description

The Sennheiser XSW2-ME2 Wireless Lavalier Microphone System features a true diversity receiver, a compact bodypack transmitter, and an ME 2-2 lavalier microphone with a locking 1/8" mini-jack connector. It has 12 compatible channels and is offered as an easy to use, all-in-one wireless system for presenters, moderators, and other live-sound applications.

The system is built with automatic frequency management and synchronization so you don't have to scramble to find an available channel. It offers an intuitive LCD display, two external antennas, and is built with a metal receiver housing. In addition, a rackmount kit, power supply, carry pouch, and two AA batteries are also included.

Description

Description

The Rode NT55 is a compact condenser microphone designed to accurately reproduce vocals and general instruments in recording and sound reinforcement applications. The NT55 features a 3-position pad switch for added headroom while capturing loud, peaking audio signal. A 3-position low-cut filter switch eliminates low-frequency noise.

The NT55 is a great choice for vocals, guitar, drums, cabinets, and more. The NT55 includes interchangeable omnidirectional and cardioid capsules for even further flexibility.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

Description

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