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Tascam DR-701D 4-Channel / 6-Track Multitrack Field Recorder with Onboard Omni Microphones

Brand: Tascam 

Model Number: DR-701D

Product Code: QD2380

Availability: In stock

AED 2,573.55

For filmmaking, television, audio-for-VR, and web broadcast applications where you want to record direct sound, ambience, and your real-time mix, the Tascam DR-701D multitrack field recorder is an ideal companion for your DSLR. Capture up to four tracks of high-resolution audio from external sources and the onboard omnidirectional microphones plus a stereo mix, route audio to and from your camera, and conveniently monitor through headphones. With versatile mounting possibilities, timecode support, and tight camera sync via HDMI I/O, the DR-701D integrates seamlessly into your video production setup.

For filmmaking, television, audio-for-VR, and web broadcast applications where you want to record direct sound, ambience, and your real-time mix, the Tascam DR-701D multitrack field recorder is an ideal companion for your DSLR. Capture up to four tracks of high-resolution audio from external sources and the onboard omnidirectional microphones plus a stereo mix, route audio to and from your camera, and conveniently monitor through headphones. With versatile mounting possibilities, timecode support, and tight camera sync via HDMI I/O, the DR-701D integrates seamlessly into your video production setup.

Versatile powering methods and remote-control options make the DR-701D ideal for location recording and extended video shoots. Its four balanced XLR-1/4" combo inputs handle mic- or line-level signals (even +4 dBu from high-end sound mixers) and can independently supply phantom power. A 3.5mm mic/line input with selectable plug-in power is provided for situations that require you to record a lavalier microphone or the output of a wireless receiver. Utilize settings such as stereo safety track recording, automatic level control, limiting, and low-cut filtering to achieve a clean, undistorted recording. Thanks to its available Ambisonics A-/B-format recording with real-time stereo monitoring, the DR-701D is ready to produce audio for your next AR or VR project.

The DR-701D's two onboard condenser microphones empower you to capture stereo sound without external mics. The omnidirectional mics respond to sound from all directions and are permanently spaced apart in an A/B configuration, yielding a broad, sphere-like pickup pattern. Use them in combination with a shotgun, handheld, or lav mic to record direct sound and ambience at the same time.

Four locking XLR-1/4" TRS combo jacks support mic level and +4 dBu line level, allowing you to record external microphones or balanced outputs from a professional multichannel mixer. With individually switchable phantom power (24V or 48V) and up to 64 dB of gain, the low-noise HDDA (High Definition Discrete Architecture) mic preamps can serve a variety of microphones such as dynamic, ribbon, or condenser types.

For maximum intelligibility and optimal vocal tone, recordists often prefer to use lavalier microphones that can be attached to their subject's clothing. The DR-701D's 3.5mm mini-jack input is designed for precisely that situation; clip a lav mic (available separately) to the talent, then plug it into the 3.5mm input on the DR-701D. Knowing that many lav mics require a small amount of voltage called plug-in power, Tascam offers a selectable setting to supply plug-in power to the 3.5mm input. If you need to record the output of a wireless microphone receiver or an audio mixer, the 3.5mm input can accommodate it because it supports line-level signal and handles a maximum input level of +10 dBV.

The DR-701D boasts three 3.5mm outputs for simultaneous hookup to your camera, a secondary recorder, and headphones. The headphone output offers a dedicated volume control next to the jack, while levels for the camera and line outputs can be changed in the menu system. Plus, the side-panel 3.5mm camera input is ideal for simple monitoring of playback from your camera.

To maximize compactness and portability, the DR-701D records directly to media cards (available separately). It supports SD, SDHC, and SDXC cards (up to 128GB capacity) for long recording times in standard or high resolution. With an 8GB card, the DR-701D can record in stereo for over 12.5 hours at 16-bit / 44.1 kHz using the uncompressed, BWF-compliant WAV format.

Version 2.00 firmware brings support for Ambisonics recording by enabling encoding both A and B formats and providing a real-time stereo monitor mix of B-format content. Additional features specialized for Ambisonics audio production include AmbiX and FuMa B formats, simultaneous 4-channel gain control, and selectable Ambisonics mic positioning. 

The HDMI I/O ports allow the DR-701D's internal clock and your camera to be digitally synchronized. Even when shooting long events, the video files recorded by the camera and audio files recorded by the DR-701D will not drift out of sync.

Simply pressing the record button on your compatible camera sends a trigger to the DR-701D to start audio recording. Unlike other systems that force you to press record on both devices, the HDMI start system prevents missed takes, syncs the two recording starts together, and makes single-operator shoots much easier.

Features

  • Angled 128 x 64 pixel graphic LCD with backlight for easy viewing
  • Simple, efficient file transfer via USB 2.0 connection to a computer
  • Asahi Kasei A/D converters and low-noise Texas Instruments OPA1652 opamps
  • High-precision TCXO (temperature-compensated crystal oscillator) and PLL (phase-locked loop) with a discrete filter reduce jitter and clock errors
  • Adjustable delay function eliminates time lags caused by differences in the distances of two sets of inputs from the sound source
  • Hold switch prevents accidental operation
  • MS decoding function allows proper stereo monitoring of a mid-side mic configuration
  • Cascade multiple DR-701D recorders via HDMI for unified record start/stop control from one master unit
  • Automatically creates a new file when the maximum file size is reached
  • Resume function retains the last stop point even when the DR-701D is powered off/on
  • Up to 99 marks (locate points) per track
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • File name format can be set to use a user-defined word or the date
  • The first six characters of the file name for recording can be set freely
  • Using the built-in mixer, four tracks and their stereo mix can be simultaneously recorded at up to 24-bit / 96 kHz resolution. Alternatively, record two channels at 192 kHz for truly detailed stereo capture.


Specifications

Number of Tracks

6 (4 Inputs + Stereo Mix)

Max Sample Rate/Resolution

192 kHz / 24-Bit

Microphone

Built-In Omnidirectional Electret Condenser Stereo Pair, A/B Configuration

Built-In Speaker

No

Display

Monochrome LCD (Backlit)

Memory Card Support

SD (64 MB to 2 GB)
SDHC (4 GB to 32 GB)
SDXC (48 GB to 128 GB)

Audio File Formats

BWF, WAV

Sample Rates

WAV:
44.1 / 48 / 96 / 192 kHz

Bit Depth

16 / 24-Bit

Signal Processing

Delay, Limiter, Low-Cut Filter

Timecode

Yes

Clock Accuracy

2 ppm

Recording Time

WAV 44.1 kHz/16-Bit:
1 Hr 34 Mins per GB (Stereo)
WAV 48 kHz/16-Bit:
1 Hr 27 Mins per GB (Stereo)
WAV 96 kHz/16-Bit:
43 Mins per GB (Stereo)
WAV 192 kHz/16-Bit:
22 Mins per GB (Stereo)
WAV 44.1 kHz/24-Bit:
1 Hr 3 Mins per GB (Stereo)
WAV 48 kHz/24-Bit:
58 Mins per GB (Stereo)
WAV 96 kHz/24-Bit:
29 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14 Mins per GB (Stereo)

Analog I/O

4 x Combo XLR-1/4" TRS Female Balanced Line/Mic Input (Lockable)
1 x 1/8" / 3.5 mm TRS Female Unbalanced Mic Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Camera Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Camera Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
1 x 2.5 mm TRS Female Remote Input

Digital I/O

1 x HDMI Type-A Input
1 x HDMI Type-A Cascade/Timecode/Video Output

Phantom Power

+24 / 48 V ± 4 V (Selectable on Individual Inputs)

Phantom Power Current

10 mA per Channel

Plug-In Power

Yes

Host Connection

1 x Micro-USB (USB 2.0)

Frequency Response

Line Inputs, Line Outputs:
20 Hz to 20 kHz +0.5/-1 dB (At 48 kHz, JEITA)
20 Hz to 40 kHz +0.5/-1 dB (At 96 kHz, JEITA)
20 Hz to 80 kHz +0.5/-5 dB (At 192 kHz, JEITA)

Gain Range

Balanced Inputs:
+20 dB to +64 dB
Unbalanced Inputs:
+3 dB to +38 dB

Max Input Level

Mic Inputs:
+4 dBu
Line Inputs:
+24 dBu
1/8" Inputs:
+10 dBV
Camera Inputs:
+6 dBV

Max Output Level

Camera Outputs, Line Outputs:
+6 dBV

Headphone Output Power

50 mW per Channel

Impedance

Mic Inputs:
2 Kilohms
Line Inputs:
> / - 10 Kilohms
1/8" / 3.5 mm Inputs:
10 Kilohms
Camera Outputs:
200 Ohms
Line Outputs:
200 Ohms

SNR

> / - 100 dB

THD

< / - .007%

EIN

-124 dBu

Power Options

Batteries, USB Bus Power, AC/DC Power Adapter

Battery Type

4 x AA (Not Included)

Approximate Battery Life

WAV 48 kHz/16-Bit:
3.75 Hours (AA Alkaline, Phantom Off, Recording, Built-In Mic)
2 Hours (AA Alkaline, 2 Channels, Phantom On, Recording)
4 Hours (AA NiMH, Phantom Off, Recording, Built-In Mic)
2.5 Hours (AA NiMH, 2 Channels, Phantom On, Recording)
7.5 Hours (AA Lithium, Phantom Off, Recording, Built-In Mic)
6.5 Hours (AA Lithium, 2 Channels, Phantom On, Recording)

AC/DC Power Adapter

5 VDC at 1.3 A (Not Included)

Mounting Options

1/4"-20 Female, Shoe Mount

Operating Temperature

32 to 140°F / 0 to 40°C

Dimensions

16.90 x 5.73 x 11.35 cm (with adapter included)

Weight

561 g (Without Batteries)
654 g (With Batteries)

Package Weight

907 g

Package Dimensions (L x W x H)                               

25.15 x 18.23 x 10.69 cm

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