Description

The Shure VP83 LensHopper is an ultra-compact all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environment.

Featuring rugged metal construction while remaining compact and lightweight, the VP83 is designed to be a reliable partner for your portable video rig. Its integrated shockmount attaches directly to your camera or tripod and impedes camera handling noise and vibrations transferred through a tripod. To reduce noise from light winds, the VP83 is equipped with a foam windscreen. Attached to the VP83 is a coiled 3.5mm TRS cable, so you'll never be missing the cable you need when hurriedly hooking up the mic to your camera.

Description

The Neumann TLM-102 Studio Set Large-Diaphragm Cardioid Studio Condenser Microphone has the ability to withstand very high sound pressure levels.

The capsule, with its high SPL rating, permits the recording of percussion, drums, amplifiers, and other loud sound sources. The microphone is equally capable when recording lower volume sounds due to its fast transient response. However, its most important applications are in the realm of vocals and speech.

A slight boost above 6 kHz provides greater vocal presence, while below 6 kHz the frequency response is extremely linear for minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for minimizing structure-borne noise, while an integrated pop screen in the grille aids in suppressing plosives in vocal and speech recording.

Description

The Rode NT1000 1" Studio Condenser Microphone features transformerless circuitry, giving the mic an ultra-low self-noise level of 6 dBA. It can be used to capture audio for both vocal and instrument applications and is well-suited for grand piano and drum overheads. It is built with a 3-pin XLR connector and requires 24 or 48V phantom power to operate. Also included is a RM2 ring-mount microphone stand and a ZP1 padded zip pouch.

The NT1000 has also found many users who call it the ultimate microphone for overheads as well as for miking concert grand pianos. The 1" HF2 capsule, developed by R?DE and manufactured in Australia, is elastically mounted and with a dynamic range of 134 dB, a maximum sound pressure level of 140 dBA, and a frequency range of 20 Hz - 20 kHz.

Description

The Sennheiser e835S is a handheld cardioid dynamic microphone offering a frequency response tailored for clear reproduction of vocals and speech in concert venues, lectures, houses of worship, and presentations. Its dynamic element requires no power source and delivers a frequency response of 40 Hz to 16 kHz. The cardioid polar pattern rejects sound behind the mic, yielding enhanced immunity to feedback and decreased pickup of room ambience.

A hum-compensating coil aids in keeping extraneous electrical noise to a minimum while the durable, metal construction delivers tour-worthy toughness. A silent on/off switch is provided for convenient muting of the mic between speeches or performances. The XLR 3-pin output ensures compatibility with most microphone preamps and mixer inputs. The e835S ships with a mic clip and a protective pouch.

Description

The Sennheiser EW 100 G4-835S is an easy-to-set-up rackmount wireless lavalier microphone system that includes both a hands-free lavalier mic and a handheld mic option. It brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses-of-worship, theaters, or on musical stages.

The EW 100 G4-ME2/835S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 46 MHz UHF tuning range with 1840 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.

This system comes with an ME 2-II omnidirectional lavalier microphone with a lightweight bodypack transmitter. It also includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 835 dynamic cardioid microphone capsule and a mute switch. Both mics are optimized for speech intelligibility. Each transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

The EW 100 G4-ME2/835-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

Description

The Neumann KM 184 MT is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Description

The Audio-Technica AT2050 Multi-Pattern Condenser Microphone is designed for use in home studios, project recording, and live sound reinforcement applications. It can be used for capturing vocals, general instruments, and speaker cabinets. The side-address condenser microphone features user switchable cardioid, omnidirectional, and figure-8 polar patterns for versatile operation. 

Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.

Description

Connects to Computers, Android, and iOS Devices

Cardioid Polar Pattern for the Untreated Room

Broadcast-Quality Audio Capture

Handy Hardware Included

Industry-Standard Software Included

Description

Description

The Rode NT55MP is a matched pair of compact condenser microphones designed to accurately reproduce vocals and general instruments in recording and sound reinforcement applications.

The NT55MP features a 3-position pad switch for added headroom while capturing loud, peaking audio signal. A 3-position low-cut filter switch eliminates low-frequency noise. The NT55 is a great choice for vocals, guitar, drums, cabinets, and more. The NT55MP includes interchangeable omnidirectional and cardioid capsules for even further flexibility.

Description

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