Description

Description

The Sennheiser e835 is a vocal stage mic designed to perform under pressure. Uniform frequency pickup pattern maintains signal quality when moving on and off axis during performance. A gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule.

Description

The Neumann TLM 103 Large-Diaphragm Condenser Microphone is a cardioid microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.

The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

The TLM 103 is addressed from the side. The mic's large-diaphragm capsule is based on the K 87 and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large, wire mesh head-grille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. The microphone maintains a great impulse response and reproduces details of music and speech without coloration.

With just 7 dB-A and 17.5 dB CCIR, the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced almost noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

With TLM technology, the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

The entire internal construction is elastically mounted to attenuate any structure-born noise that could interfere with the TLM 103's operation. The capsule is set on an elastic mount and the frequency range reaches below 20 Hz, allowing even very low bass signals to be reproduced without coloration. Due to this low-frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise.

Description

The Neumann U 47 FET uses the same K 47 large diaphragm condenser capsule and the same headgrille design as its tube operated predecessor, the legendary U 47, which revolutionized the recording and broadcast industries from 1949 to1960. For sonic continuity, the U 47 fet also uses a similarly oversized output transformer. Otherwise, its transistorized head amplifier is an amazingly advanced design and a testament to Neumann?s state of the art engineering. This ?vintage? microphone has a dynamic range of 119 dB.

The U 47 fet can handle extreme SPLs of up to 137 dB, and even 147 dB with the ?10 dB pad switch engaged. This, along with its smooth top end and lush midrange, makes the U 47 fet an excellent microphone for bright and loud instruments such as brass and electric guitar. Due to its exceptionally clear and uncluttered low end, it is a great choice for upright bass and bass cabinets. Numerous top engineers consider U 47 fet the ultimate microphone to place in front of the kick drum. At the same time it is an excellent vocal mic for crooners and screamers alike, due to its beautifully balanced response with just a slight, unobtrusive boost in the upper mids for added presence in the mix.

The U 47 fet comes with a unique one-sided swivel mount, which makes it easy to position. Pad and low cut switches are accessible on the rear of the microphone. An additional switch next to the XLR socket allows for attenuating the output signal by 6 dB, which is a handy feature in conjunction with low-headroom vintage preamplifiers.

Description

The Neumann TLM 49 brings back the vintage tone of Neumann's post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann's legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.

As the model number implies, the TLM 49 is inspired by its famous precursor, the legendary Neumann M 49, a microphone associated with countless jazz and pop recordings of the 1950s and 60s. The TLM 49 shares the same large, acoustically open headgrille and the same large diaphragm condenser capsule design. This classic K 47 capsule, renowned for its unsurpassed sonic elegance, was also used in the Neumann U 47, the vocal mic of choice for Frank Sinatra, the Beatles, and scores of famous artists up to the present day.

The TLM 49 has a fixed cardioid pattern and is designed mainly as a microphone for vocalists, but its clear bass and superb midrange with a gentle presence boost above 2 kHz will produce excellent results with various instruments, too, such as acoustic guitar and upright bass.

Description

The Sennheiser MK 4 Digital is a large-diaphragm condenser microphone operating in a cardioid polar pattern. Its analog components are modeled on the Sennheiser MK 4, so it features the same 24-carat gold-plated diaphragm, rugged metal housing, 20 Hz to 20 kHz frequency response, and a 141 SPL, making it suitable for guitars, vocals, amplifiers, percussion, and more.

Sennheiser has teamed up with Apogee to build a PureDigital converter directly into the microphone. This converter captures audio at high resolutions and sample rates up to 24-bit / 94 kHz and ports audio directly into computers and iOS devices, utilizing a digital preamp to ensure a quality signal. To provide connecting options, a lightning cable and a USB cable are included, as are a swivel mount and a pouch for transporting the mic. The mic itself offers a USB Type-A port for connecting to your computer or apposite mobile device. 

This mic's digital specs and analog heft make it quite suitable for podcasters and journalists, giving such practitioners the warmth and detail of a condenser microphone. The mic itself was constructed in Germany, which should inspire confidence in the meticulous precision of its design. So if you're in the business of creating content from your project studio, be it musical, journalistic, or anywhere in between the sturdy design, richly clear sound, and high-quality conversion of this microphone is something which might distinguish you from the pack.

Description

The Neumann U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns. The U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.

The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with the Neumann sound and continues to be used in its successor, the U 87 A. No less important is the U 67's masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don't mind a bit of tube grit).

As timeless as its sound and technical design is its outer appearance. The U 67's cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.

Description

Description

Description

The black Sontronics Podcast Pro USB edition is a dynamic broadcast microphone designed to deliver a clean and clear vocal sound out of the box for a range of applications including podcasting, broadcasting, voice-over work, gaming, and more. The supercardioid polar pattern yields tight frontal pickup with enhanced side rejection while the integral 3-layer pop screen impedes problematic vocal plosives and sibilance.

The dynamic capsule produces a frequency response of 50 Hz to 15 kHz, ideal for detailed speech and vocals without EQ. The Podcast Pro features an integrated stand mount for easy placement on any mic stand or boom arm. Its balanced 3-pin XLR output allows standardized connectivity with a variety of mic preamps, audio interfaces, and mixers.

Description

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