Description

The PreSonus Studio 1810c desktop 18x8 USB audio/MIDI interface blends studio-quality sonic performance, versatile and expandable I/O, and refreshing ease of use.

With selectable 48V phantom power and four XMAX Class-A mic preamps fed via XLR-1/4" combo inputs, the Studio 1810c can accommodate any source, from condenser microphones and active DI boxes to electric instruments and line-level mixer outputs, with clarity and natural tonality. Utilize the four rear-panel 1/4" inputs to plug in outboard mic preamps or extra line-level sources directly to the A/D converters. All inputs and outputs feature quality converters that let the interface operate at up to 24-bit / 48 kHz resolution without sacrificing channel count, or at a 192 kHz sample rate with 8x6 I/O functionality.

Whether you use speakers, multiple headphones, or both, the Studio 1810c provides equally ideal operability with its two independent 1/4" headphone outputs, two main line/monitor outs, four additional line outputs, and separate volume controls for both headphone outs and the main output. The six line outputs are DC-coupled, so you can send MIDI sync and sequencer data from your DAW as CV (control voltage) to external analog synthesizers and drum modules.

The headphone mix can be sourced from outputs 1-2 or 3-4 via the A/B switch, a simple solution for getting a special cue mix to the artist. A quick press of the mute button cuts the main outputs, so you can communicate with clients in the room without shouting over the music. Unlike many budget interfaces, the Studio 1810c sports 4-segment LED meters for all four analog inputs and the main outs.

The 5-pin MIDI I/O jacks on the rear panel allow simple hookup of a MIDI controller, synthesizer, or groovebox, making the Studio 1810c advantageous for beatmakers, keyboardists, and electronic music producers. Also on the rear panel are RCA coaxial jacks, which are a welcome bonus for interconnecting digital audio equipment outfitted with S/PDIF digital I/O. Additional input expansion is possible by routing the digital output of an ADAT-equipped multichannel mic preamp into the TOSLINK optical input on the Studio 1810c.

Description

The Quantum from PreSonus is a low-latency audio interface which, via analog, ADAT, and S/PDIF connections, gives you up to 26 inputs and up to 32 outputs. The unit's converters allow for low-latency recording, as well as dynamic ranges greater than 120 dB on both the ADC (analog to digital) and DAC (digital to analog) side. Furthermore, the Quantum captures audio at 24-bit resolutions, achieving sample rates up to 192 kHz.

For analog I/O, the Quantum provides a sizeable complement of eight inputs and 10 outputs, including two combination 1/4" / XLR jacks for instruments, mic-level, and line-level signals, as well as six combination XLR/TRS jacks for balanced audio (mic and line); your output section, on the other hand, offers eight 1/4" TRS terminations, two balanced 1/4" monitor connection points, and two headphone jacks with dedicated volume controls. The inputs provided are PreSonus' recallable XMAX pres. Every analog output is DC-coupled, and the line outputs can also deliver control voltages for analog gear.

Onto the digital I/O, wherein you'll find two banks of optical ADAT I/O, as well as S/PDIF connections, bringing the grand total of ins and outs to 26x32. You'll find that the unit sports BNC wordclock connections, thus facilitating wordclock sync with other pieces of gear in your studio, such as a master clock. 5-pin DIN MIDI I/O lets you connect your control or provide MIDI signal to apposite units. 10 eight-segment LED meters are provided, as are mute, dim, and mono functions, quite useful during mixing. A talkback system and internal talkback mic will allow you to communicate with artists over their headphones while they record. Thunderbolt 2 ports offer connections to your host computer, and with two of them on hand, you can chain multiple units (up to four, if you so choose). Included with the Quantum is a version of PreSonus' very own DAW, Studio One Artist.

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The third-generation Focusrite Scarlett 4i4 4x4 USB audio/MIDI interface lets artists and content creators score pro-level tone with no learning curve, no matter where they go.

Equally capable for tracking vocals and instruments, the two improved Scarlett microphone preamps feature switchable phantom power for condenser mics, pads to prevent distortion on loud input signals, and a selectable-per-channel Air circuit, which adds clarity-enhancing brightness based on Focusrite's legendary ISA preamplifier.

The two XLR-1/4" combo inputs are outfitted with switches that allow them to accept signal directly from electric instruments such as guitar and bass, from line-level sources such as stereo mixer outputs, or from a hot feed from a drum machine. The rear panel sports two additional fixed-level 1/4" inputs to accommodate more line-level sources such as the outputs of external mic preamps.

Unlocking the ability to record at standard CD quality or high-fidelity resolutions, the 24-bit / 192 kHz AD/DA converters ensure that signals are captured and reproduced with detail and accuracy. With four balanced 1/4" line outputs, a 1/4" stereo headphone jack, and independent control of the headphone and speaker volume settings, the Scarlett 4i4 can simultaneously feed multiple monitoring systems or outboard effects processors.

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The Behringer ADA8200 features stunningly-accurate, reference-class Cirrus Logic A/D - D/A converters and 8 Award-winning Midas-designed Mic Preamps – making it the natural choice of professional musicians and audio engineers alike. Your recording tracks will sound just as amazing as you imagined them, when you lay them down with the ADA8200.

The ADA8200 is sublimely easy to operate, fits neatly into a single rack space and, thanks to the 8 Midas-designed mic preamps with switchable +48 V Phantom Power and integrated Cirrus Logic 24-bit A/D - D/A converters, you get incredibly detailed, pristine performance. Signal conversion takes place at your choice of 44.1 or 48 kHz with full 24-bit resolution. The ADAT Inputs and Outputs can be operated independently, as long as you use an identical word clock signal. And ADA8200’s operating frequency range is an ultra-wide 10 Hz to 24 kHz – at a very respectable, 48 kHz sampling rate. Put simply, the ULTRAGAIN ADA8200 is the professional’s edge.

Connections are provided for balanced XLR and 1/4" TRS, as well as unbalanced 1/4" TS inputs. XLR line out connectors located on the rear panel provide either balanced or unbalanced connectivity. Digital I/O is handled via ADAT format TOSLINK optical sockets, which support up to 8 independent channels of ultra-pristine data.

You can trust all your digital ones and zeros to the incredible ADA8200, the professional’s choice for recording absolutely-pristine tracks, thanks to its 8 Award-winning Midas-designed-mic pres with available phantom power, and the ultra-slick, reference-class Cirrus Logic A/D - D/A converters. The ULTRAGAIN ADA8200 ADAT Audio Interface provides amazing performance, and you’d gladly pay 2 to 3 times the asking price, and really love it.

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