Description

Description

The Neumann KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180 degree) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184's frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Description

Description

Description

The Neumann U 89 i is a universal studio microphone combining classic transformer coupled circuit topology with a state of the art Neumann capsule. Its linear yet smooth response has made it a prime choice for voice over and speech, but thanks to five selectable polar patterns, low noise and distortion, it covers almost any recoding situation in any genre.

The U 89 i combines advanced capsule technology with classic transformer coupled electronics. The result is a very versatile large diaphragm condenser microphone for all studio applications. Its features include five selectable polar patterns and a two-stage low cut as well as a switchable 6 dB preattenuation for extreme sound pressure levels of up to 140 dB without unwanted distortion.

The U 89 i is similar in appearance to the legendary Neumann U 87 but smaller in size and lighter weight. This is no coincidence: Introduced in 1980, the U 89 i was conceived with the goal to improve upon the classic Neumann U 87. While the latter has remained the world's most beloved large diaphragm condenser microphone, the U 89 i is indeed technically superior in many respects. Not only can the U 89 i handle much higher sound pressure levels, it also has a more flexible low cut filter (lin, 80Hz, 160 Hz) to suppress rumble and compensate for the proximity effect. And in addition to the three main polar patterns, omni, cardioid, and figure-8, the U 89 i offers two intermediate positions, wide cardioid and hypercardioid.

The U 89 i offers the best of both worlds: It combines the sonic precision and linearity of a state-of-the-art small diaphragm condenser microphone with the smoothness and flexibility of a large diaphragm microphone. This makes the U 89 i a truly universal studio microphone. The U 89 i is an excellent vocal microphone, especially for trained professionals who prefer to have their voice captured in its natural beauty. For the same reasons, the U 89 i is a sought-after microphone for voice over and film dubbing. U 89 i's unique combination of flexibility and superior off-axis behavior makes it an excellent choice for orchestral recordings, where it can be used as a main microphone or as a spot microphone for soloists and individual sections.

Description

The Sennheiser EW 100 G4-ME2 is an easy-to-set-up rackmount wireless lavalier microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses-of-worship, theaters, or on musical stages.

The EW 100 G4-ME2 features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 46 MHz UHF tuning range with 1840 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.

This system comes with an ME 2-II omnidirectional lavalier microphone optimized for speech intelligibility. The bodypack transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

The EW 100 G4-ME2 is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

Description

The Audio-Technica ATR4697-USB is an omnidirectional condenser boundary microphone. It takes the same design as the ATR4697 and retrofits the connection for the digital world, giving you a USB-C termination and a USB-C to USB-A adapter to plug it into your Mac or Windows computer.

The low-profile microphone has an omnidirectional pickup pattern for full 360 degree coverage. It is equipped with a 1.5 m (4.9') cable terminated with a USB-C connector and comes with a USB-C to USB-A adapter for greater compatibility.

Description

The Neumann TLM 103 Studio Set Large-Diaphragm Condenser Microphone is a cardioid microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.

The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

The TLM 103 is addressed from the side. The mic's large-diaphragm capsule is based on the K 87 and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large, wire mesh head-grille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. The microphone maintains a great impulse response and reproduces details of music and speech without coloration.

With just 7 dB-A and 17.5 dB CCIR, the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced almost noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

With TLM technology, the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

The entire internal construction is elastically mounted to attenuate any structure-born noise that could interfere with the TLM 103's operation. The capsule is set on an elastic mount and the frequency range reaches below 20 Hz, allowing even very low bass signals to be reproduced without coloration. Due to this low-frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise.

Description

Description

The Behringer XM8500 dynamic microphone is a performer’s and home recording enthusiast’s dream come true! This professional-quality microphone is designed to capture your sounds with outstanding sensitivity and accuracy. With a cardioid pickup pattern for excellent sound source separation and feedback rejection, this ultra-wide frequency response mics is an excellent choice for any performing or recording scenario – and it’s rugged enough to go the distance. With an integrated shock mount system and spherical wind and pop noise filter, and coming packaged with a mic stand adapter and an impact-resistant carrying case, the XM8500 just may be the only microphones you will ever need.

The XM8500 provides an amazingly flat frequency response of 50 Hz to 15 kHz while incorporating a smooth mid-frequency presence rise for excellent voice projection, and includes a two-stage pop filter to minimize breath and pop noises. It features an extremely high output to get your voice out there! And with their tough metal construction and sturdy steel windscreen, you can count on the XM mics to come through after countless gigs and studio applications. We’ve even included a rugged hard case with a mic clip and stand adapter.

The Ultravoice XM8500 is built to be your go-to dynamic mics for years to come. It’s high-quality components and extremely rugged construction can withstand the rigors of the bar circuit with ease. And with the included mic stand adapter and carrying case, the XM8500 travels along with all you need in style.

Description

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